Sunday, 23 February 2014
64 Hello Joe Brown* - The Darktown Strutters' Ball
'(* and the Bruvvers )
Chart entered : 17 March 1960
Chart peak : 34
Number of hits : 11
Following on from the last post , I first came across this guy on the 1979 re-launch of Juke Box Jury ( not the Johnny Rotten episode ) . I had no idea who he was and my mum ( whose pop knowledge came to an abrupt halt on meeting my dad in 1963 ) said "Oh yes he had some song, wonderful picture of you or something like that ". Joe seems to have been around forever but always somehow on the fringes : most of his hits didn't reach the Top 20. I'm coming to the song with completely fresh ears; I'd never even heard of it before.
Although generally regarded as a chirpy Cockney Joe was born in Lincolnshire in 1941. The family moved to Plaistow to run a pub when he was two. He formed a skiffle group The Spacemen in 1956. In 1958 he was spotted by Larry Parnes who recruited him as lead guitarist in the orchestra for his TV series Boy Meets Girls . His reputation grew and he backed Gene Vincent and Eddie Cochran on their UK tour ; the latter is supposed to have imparted some tricks to Joe before his death. Parnes became Joe's manager and got him signed with Decca. There were no actual Bruvvers at this point; Joe recorded with session musicians in the studio. His first release was the rather insipid Buddy Holly-like "People Gotta Talk" a Pomus-Shuman composition written for Joe after they met on Boy Meets Girls . The next was actually a collaboration with Mort Shuman under the name The Sneaky Petes , a rocking guitar instrumental called "Savage". It was put down quickly after recording Shuman's single I'm A Man and sounds like a jam but it's still listenable.
"The Darktown Strutter's Ball" is a jazz standard about not being late for a ball written in 1917 by Shelton Brooks and covered by a wide range of artists including Dean Martin and Fats Domino. Joe updated the lyrics to include references to his "hot rod" and "blue suede shoes" and also added a couple of "Oh sugar !'s". The geezer-ish spoken introduction recalls Sham 69 and the guitar breaks could have been The Rezillos; this is near as we're going to get to a punk single in 1960. Perhaps he should have been on with Rotten.
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