Sunday, 16 February 2014
43 Hello Marty Wilde - Endless Sleep
Chart entered : 11 July 1958
Chart peak : 4
Number of hits : 13
The summer of 1958 saw another homegrown rocker crack the charts at the fourth attempt.
Marty was originally Reginald Smith from Blackheath London. Curiously he began performing in clubs under the name Reginald Patterson; personally I'd have ditched the Christian name first. He was spotted by Larry Parnes who came up with his new name- the "Marty" inspired by the popular Ernest Borgnine film.
While not being convinced by the wildly overblown claims for Marty's influence by a certain other music blogger there was a bit more to him than a manufactured teen idol. As we will see later on he could pen a decent tune himself though he was willing to go along with Parnes' strategy of covering US hits. His legacy has suffered as a result : indeed if he weren't Kim's dad I think he'd be all but forgotten now. He also insisted that his band the Wildcats actually played on the records although they were only intermittently credited on the labels . They were Big Jim Sullivan ( lead guitar ), Tony Belcher ( rhythm ) , Brian Locking (bass) and Brian Bennett (drums ).
Parnes got Marty on Jack Good's Six-Five Special which helped promote his first single "Honeycomb" a US number one for Jimmie Rodgers in the summer of 1957. Marty's version of this rather twee song is actually the stronger with Sullivan's guitar beefing it up but it didn't chart ; Rodgers's version just scraped a week at number 30. His second single "Sing Boy Sing " was a cover of a film-tied song by supposed "New Elvis" Tommy Sands. Again Marty's version is better because he's got the stronger voice ; the problem is the cut and paste nature of the song which sounds like a badly put together medley of Elvis numbers whoever's doing it and it wasn't a hit for anyone over here.
So Marty hit paydirt with his third attempt. "Endless Sleep" is a good song, not quite a "death disc" since the protagonist rescues his girl from the waves in the third verse which always seems like a radio-appeasing cop out to me. It was originally a US hit for its writer Jody Reynolds and its dark funereal tone definitely brought something new to pop music. I don't think there's much to choose between the two versions but Marty got his nose in front and scored the first of his opening salvo of four top 5 hits although as with his daughter the top spot ( in Britain ) would always elude him. ( N.B. The Jody Reynolds version was a minor hit here in 1979. )
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In fairness, his lass did hit #1 in the biggest market of all! More about her when the time comes, however.
ReplyDeleteWilde, going by this song, is the classic "trying to sound American" English singer. I like the lead guitar tone - real nice twang to it, a sound a certain American I believe we'll be coming to soon hit paydirt with.
That's why I added the "(in Britain)" at the last moment !
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