Wednesday, 2 April 2014
99 Hello The Tremeloes* - Twist And Shout
(* Brian Poole and .....)
Chart entered : 4 July 1963
Chart peak : 4
Number of hits : 21
These lot are chiefly remembered for two things. 1. Being Decca's Dick Rowe's choice to sign ahead of the Beatles ( Doh ! ) and 2. Being a backing band that did better once uncoupled from their main man ( the only example that comes to mind at the moment ).
The original group formed in 1958 inspired by Buddy Holly and the Crickets. The line up was Brian Poole ( vocals ), Rick Westwood ( lead guitar ), Alan Blakley ( rhythm guitar ), Alan Howard ( bass ) and Dave Munden ( drums ). They were signed to Decca allegedly because , being London-based, they would be easier to contact than the Liverpudlian alternative.
Being signed earlier they got their first single "Twist Little Sister" out six months before the Beatles. It was written by John Beveridge and Peter Oakman two British songwriters ( shortly to score big with Joe Brown's A Picture Of You ) and was an original song not as one might have expected, a quick fire Chubby Checker cover. Nevertheless it starts with a similar drum break to Lets Twist Again from Munden and generally follows the format with a staccato one note riff from Westwood and a confident vocal out front from Poole. "Blue " is also pre-Beatles , a Hollyesque ditty ( written by four guys unknown to me ) with some neat harmonies. awkward shifts in tempo and a slightly over-polite vocal from Poole.
" A Very Good Year For Girls " had to compete with rival versions from Johnny Tillotson and Vic Dana. None of them made the charts and none deserved to. It's a terrible novelty song with references to girls used in song titles over the past three years and Poole makes it worse by doing some of it in a comedy voice. That's partly offset by some good drumming and guitar but the song is a dog.
Their fourth single "Keep On Dancing" was co-written by Poole and Blakley with producer Mike Smith ( not the Dave Clark Five singer ) and featured in their appearance in the film Just For Fun, a flimsily constructed musical but an invaluable snapshot of the 1963 pop scene with cinematography from Nic Roeg and a part for a now-notorious DJ from Yorkshire. It's more of a Brill Building pop song than a "beat" number though it does have a pretty good guitar solo from Westwood and just-the-right-side-of-moronic backing vocals.
This was then their fifth single and a very familiar song which will appear again in this story. The Medley- Russell composition was a US hit for the Isley Brothers in 1962 and then the final track, arguably the highlight, of The Beatles' debut LP Please Please Me released in March 1963. When it became clear that the Fab Four were not going to release it as a single the boys put out this very similar version, Poole trying to find a rasping edge to his voice. It's not a great piece of work but did the job of putting them on the pop map.
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" 2. Being a backing band that did better once uncoupled from their main man ( the only example that comes to mind at the moment )."
ReplyDeleteAn unkind soul might have said "Joy Division". Not me, though.
Me neither : they were never his backing band.
ReplyDeleteJust my sorry attempt at humour! There's certainly been cases of a backing band having huge success after splitting with the singer (the Shadows, for one), but I agree it's a struggle to think of an example where their success was so much more significant than their former singer's.
ReplyDeleteOn another note, Brian Poole isn't exactly a great name for the frontman of a band. Even at this stage, it makes them sound like a relic from a previous age.