Friday, 11 April 2014
110 Hello Dionne Warwick - Anyone Who Had A Heart
Chart entered : 13 February 1964
Chart peak : 42
Number of hits : 14
An inauspicious debut for a lady routinely described as a soul singer although to my mind she's more of a classy pop singer who just happens to be black.
Dionne was born in 1940 in New Jersey. Her father was a porter who worked himself up to be an accountant while her mother Lee was part of a family gospel collective The Drinkard Singers that also included her aunt Cissie ( Whitney Houston's mum ). Dionne started performing with them at the age of 6. In 1958 she and sister Dee Dee formed their own group The Gospelaires with two other girls though it was open to other singers to join the group including Doris Troy who then used them as her backing singers on her hit Just One Look . The group quickly found themselves in great demand from any artist recording in New York . It was while doing backing vocals on The Drifters' Mexican Divorce that she was noticed by the song's writer Burt Bacharach. He invited her to demo his songs before he pitched them to record companies. Her performance of "It's Love That Really Counts" caught the ear of Scepter Records boss Florence Greenberg. She signed with Bacharach and David's production company which then signed to Scepter in 1962.
Her first release was "Don't Make Me Over " in October 1962 ( released on Stateside over here in February 1963 ). The song was created from Dionne's angry response on hearing that her favourite song Make It Easy On Yourself had been given to Jerry Butler. From that phrase Bacharach and David crafted a plea for fair treatment. Musically it's a slow building ballad where Dionne gives a startling vocal performance; her sudden octave leap into "Accept me for what I am !" is a thrilling surprise. It became Bacharach and David's first US Top 40 hit. On the back of its success she toured France where critics raved about her voice.
Dionne's moody follow-up "This Empty Place" is another great vehicle for her wonderfully elastic voice and is as thoughtfully arranged as you'd expect from Bacharach though it lacks immediate pop hooks and peaked at 84 in the States. Its B-side "Wishin And Hopin' "would later be a hit for the Merseybeats. "Make The Music Play" is quiet , understated and quite wonderful; pure pop doesn't get any classier than this, Dionne caressing the lyric as if it were the lover she's addressing. Although none of these songs were hit singles here, their parent album Presenting Dionne Warwick was a hit reaching number 14 whereas it didn't chart at all in the US.
"Anyone Who Had A Heart" is a landmark in pop with Bacharach's multiple shifts in time signature changing the rules on how sophisticated popular music could be and Dionne's is inarguably the definitive version negotiating all the bends with consummate ease. Unfortunately Pye who had replaced Stateside as Scepter's UK distributor were a bit slow off the mark in releasing it after it hit the US Top 10 and George Martin had got Cilla Black to record it after a friend had suggested it for Shirley Bassey. Cilla's one week sales lead shouldn't have made the difference but it did and she got the chart-topper to Dionne's eternal disgust.
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I agree Warwick isn't a soul singer... nice to see Burt and Hal in the story. Perhaps a sign of the times, as I'm guessing nobody heard this version before electing to buy Cilla's take...
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