Wednesday, 26 March 2014
90 Goodbye Pat Boone - The Main Attraction
Chart entered : 15 November 1962
Chart peak : 12
Pat's previous single "Speedy Gonzalez " had peaked at number 2 in the summer so no one was expecting this would be his last hit.
"The Main Attraction" is from a British-made film of the same name starring Boone as a circus hustler who gets involved with two of the female performers , one of them an older woman. The poster, showing Boone honing in on co-star Nancy Kwan's generous bosom indicates that it was an attempt to break Boone out of his wholesome persona in preparation for stronger dramatic roles. The song is a curate's egg, a short scene-setting ditty with odd little breaks for a few notes on a fairground organ before the beat starts up again and Pat's boring wooden voice booming over the top although in fairness the jaw-breaking lyrics would be a challenge for anyone. Number 12 seems a bit high for this but I guess he had a fanbase.
His next single in February 1963, "Meditation" is a smooth bossa nova number at which Pat proves surprisingly adept ; if I'd heard it first on the radio I'd never have guessed it was him. "Memory Mountain" is more typical, a decent rocker sung by a man with no feel for the music. "I'll Find You Again" is Pat's translation of a French song La Longue Marche. The arrangement is great and the song cries out for a more sensitive singer. I haven't heard "I Like What You Do " from November 1963 which appears to have been his last single for London.
Like so many others we've come across Pat was picked up by Pye and his next single was "Never Put It In Writing" in August 1964. When that tanked he went to the small Dot label and released "Beach Girl" helped out by Bruce Johnston and Terry Melcher who wrote the song. The guys coax out a more relaxed vocal from Pat, help out on the harmonies and there's a nice organ break. It was a minor hit in the States. "Goodbye Charlie" from 1965 was the theme song to a body swap comedy film in which Pat had third billing. I haven't heard "Rainy Days". "Something About You " is from the show The Match Girls and proves once again that he was much better suited to dreary ballads.
In May 1966 he teamed up with Tony Hatch for "A Well Remembered Highly Thought Of Love Affair" the sort of uptempo pop number the latter specialised in. It's passable but again Pat sounds a bit stiff for the material. After "Love For Love" in October 1966 ( his last US hit "Wish You Were Here Buddy" doesn't seem to have been released here ) he took a break in 1967 to film the commercial flop The Perils Of Pauline and came back two years later with a stab at "By The Time I Get To Phoenix". That was his last release for Dot.
In 1969 he was on Polydor releasing a version of John Stewart's "July You're A Woman" . It was effectively his last shot although Dot put out an unreleased song "You Mean The World To Me" in 1972.
Pat's film career came to an end in 1970 with The Cross And The Switchblade, a factually -based tale of a crusading preacher working in an inner city ghetto. I found myself watching it last summer and it was better, more grittier than expected with Pat looking astonishingly youthful for a 36-year old.
The film pointed the way to his subsequent career as he stopped releasing singles and concentrated on recording gospel albums with his family. In 1977 his daughter Debby had a monster hit in the States with You Light Up My Life , a record ignored in the UK, one of the best illustrations of how far apart the two charts were in the seventies. At the same time Pat took a swerve into country with the album "The Country Side Of Pat Boone" released bewilderingly on Motown.
Pat became increasingly vocal on the political front after his friend Ronald Reagan became President. His contribution to Live Aid was a pop at Duran Duran for the supposedly Satanic lyrics of A View To A Kill ( er yeah, just keep taking the tablets mate ). It should be noted in fairness that Pat does a lot of charitable work such as organising a celebrity golf tournament to support a childrens' home.
In 1997 Pat released the bizarre In A Metal Mood : No More Nice Guy an album of jazz covers of heavy metal songs . Whether it was a genuine mid-life crisis or an extravagantly elongated parody of a music he despised it got him in some trouble with his conservative audience. He refused permission for his version of Ozzy Osbourne's "Crazy Train" to be used as the theme music for The Osbournes so they used a soundalike version instead.
In recent years Pat's become known for right wing rants against gay rights and President Obama whose birth in the USA he contests and whom he accuses of being a clandestine Muslim.
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