Sunday, 2 March 2014
69 Goodbye David Whitfield - I Believe
Chart entered : 24 November 1960
Chart peak : 48
Here begins another cull of fifties artists ; over the next nine months another five will disappear beginning with Hull's finest.
David's personal zenith was the summer of 1954 when his collaboration with Mantovani , "Cara Mia" topped the charts here and then went on to make David the first British artist to top the Billboard charts. He appeared a number of times on the Ed Sullivan Show. Since then his fortunes had suffered a slow but unmistakable decline , each year yielding less returns than the one before. Since "The Right To Love" spent a solitary week at number 30 in August 1958, half a dozen single releases had failed to chart. During this period David had his tonsils removed.
So it's no great surprise that this tenuous toehold in the new decade marks his departure from the story. It is the old Frankie Laine chest-beater put out for the Christmas market. David didn't do subtle and his entertainingly over-the -top delivery matched by a grandiose orchestral arrangement from Paul Conrad makes this a suitable exit vehicle for him. At a conservative estimate I'd say it was ten times better than the Robson and Jerome version.
So where did the story go from there ? Well first he lost some vital momentum when Decca withdrew his next single " A Scottish Soldier" under pressure from its composer Andy Stewart. That would seem rather mean of Stewart until you actually hear it. The lament for a mercenary killed far from home becomes, in David's hands, a marching song with intermittent attempts at the accent and strange jumps in volume on individual words. Doubtless David meant well but it's not surprising Stewart thought he was taking the piss.
His next single was therefore a version of "Climb Ev'ry Mountain" and I knew exactly what that sounded like before I heard it. That was his last single for Decca; he re-emerged in April 1962 on His Master's Voice with "As Long As You Love Me" accompanied by the Michael Sammes Singers. The Italianate melody suits David's style but it wasn't to be , nor did the following year's "You Belong In Someone Else's Arms".
After that he was left to tour either as an oldies act or in pantomime though he returned to the studios to re-record his old hits for London in 1966 ,hopefully entitled "Great Songs For Young Lovers". and Philips in 1975 under the title "Hey There It's David Whitfield". In 1966 he was found guilty of indecent exposure to an eleven year old girl. He was also noted for heavy drinking.
There was a one-off single to cash in on the Silver Jubilee of 1977 . "Land Of Hope And Glory" was recorded with the Carlton and District Male Voice Choir on the little known Denman Discs and it's terrible. David's voice seems to have held up pretty well but the production ( c/o one Terry McLeod ) is amateur-ish; at some points David sounds like he's singing in another room and the organ that comes in halfway through is hideous.
David spent his last years working almost exclusively in Canada, Australia and New Zealand.
He died at the beginning of 1980 of a brain haemorrhage while on tour in Australia. He was 54. He was cremated in Sydney but his ashes were flown home to be given up to the sea off Spurn Point. You have to be sceptical of some "fan clubs" for long-deceased entertainers ; often they amount to just one guy who knows how to set up a webpage but there does seem some genuine interest in keeping David's name alive. The David Whitfield International Appreciation Society got a big boost in 2012 when his statue was unveiled in his home town.
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Sign of the times and all that, but if a (former) celeb today was "found guilty of indecent exposure to an eleven year old girl", you'd doubt of them ever working on stage again - let alone getting a statue after their death!
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