Saturday, 22 March 2014
87 Hello Four Seasons - Sherry
Chart entered : 4 October 1962
Chart peak : 8
Number of hits : 17
This lot just pipped another famous quartet into the charts by one week.
The Four Seasons had a long gestation but started to crystallise in 1951 when the 17 year old Frankie Valli ( originally Francesco Castelluccio ) a barber's son from Newark, New Jersey was invited to sing with a vocal group The Variety Trio consisting of Nick Massi, and brothers Tommy and Nickie DeVito ). The group disbanded the following year but Frankie and Tommy continued working together in a house band in a hotel, Frankie playing bass as well as singing. In 1953 Frankie got the chance to record "My Mother's Eyes" as his first single .It's a strange effort with Frankie honing his craft accompanied by a surprisingly bluesy guitar and then a hokey spoken section with Frankie's New York drawl to the fore.
That same year Frankie and Tommy quit the hotel band to form The Variatones with Henry Majewski, Frank Cattone and Billy Thompson. Tommy played lead, Henry, rhythm, Frank , accordion and Billy the drums. They were backing a female singer's audition at RCA in 1956 but ended up being signed themselves though the name had to be changed. Before they recorded anything Frank and Billy were bumped. Nickie was brought in on bass and Frankie became a singing drummer.
Their first single in April 1956 was a version of Otis Blackwell's "The Apple Of My Eye" . Though inexpertly recorded it's a winning blend of energetic rock and roll and doo wop harmonies with a scorching guitar solo from DeVito to remind you that they were not just a vocal group. It reached number 62 on the US charts and the band appeared on The Ed Sullivan Show. Surprisingly The Four Lovers failed to capitalise on this success . The follow-up "Honey Love", a cover of a hit by the original Drifters written by Clyde McPhatter and Jerry Wexler starts very promisingly with Frankie's drum break but after that it's an energetic calypso rocker which doesn't really suit their vocal style . That's even more true of "Jambalaya" in November 1956 on which Frankie's vocal is dreadful although it's partially salvaged by a wild instrumental break. "Never Never " slows things down a tad for a more conventional doo wop ballad on which Frankie sounds like Johnnie Ray. On "Shake A Hand" ( a big R & B hit for Faye Adams in 1953 ) it can't be Frankie singing lead but it is a terrific Fats Domino-ish piano rocker with another storming guitar solo "The Stranger" was their last single for the label in January 1957 and is another doo wop ballad with more emphasis on the vocals . After a brief abortive tenure at Epic marked by the single "My Life For Your Love "which is very much in the same vein, they disbanded.
However Frankie was working with producer Bob Crewe who soon persuaded him to reform the group and contract to his operation. Tommy felt Nickie wasn't committed enough and he was replaced by Nick. Henry was replaced by Hugh Garrity. They performed live , did session work and released singles on Crewe's Peri label under assumed names but strangely nothing under The Four Lovers banner. Nick left and was temporarily replaced by Charles Calello then Hugh was replaced by young guitarist and songwriter Bob Gaudio who had already scored a big hit with Short Shorts for his band The Royal Teens Nick returned in 1960 and the initial Four Seasons line up was complete. Frankie and Bob decided not to renew the contract ( though they would continue to work with Crewe ) and formed their own Four Seasons Partnership which endures to this day.
Their first single was "Bermuda" in December 1961 on the local Gone Records , an ominous tango with Bond theme flourishes and a very similar lyric to Endless Sleep ( I don't know which song was written first ) . It wasn't released nationally.
Bob then wrote a song called "Jackie Baby" in honour of Mrs Kennedy but after some discussion changed it to "Sherry". Bob Crewe and Frankie sold it to Vee-Jay records and scored their first number one hit in the States ( they would have to wait quite a while to top the British charts ). "Sherry" is one of the most instantly recognisable hits of the Sixties , a melody-fest with Frankie's arching falsetto a siren call to the young lady lurking indoors with Mamma. It's anchored by the most solid R & B beat this side of Motown. It's hard to believe this didn't encourage a young man on the other side of the country to work his own falsetto into his nascent group's music but that's another story.
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