Wednesday 2 April 2014

99 Hello The Tremeloes* - Twist And Shout


(*  Brian  Poole  and .....)

Chart  entered : 4  July  1963

Chart  peak : 4

Number  of  hits :  21

These  lot  are  chiefly  remembered  for  two  things. 1. Being  Decca's   Dick  Rowe's  choice  to  sign  ahead  of  the  Beatles ( Doh ! )  and  2. Being  a  backing  band  that  did  better  once  uncoupled  from  their  main  man ( the  only  example  that  comes  to  mind  at  the  moment ). 

The  original  group  formed  in  1958  inspired  by  Buddy  Holly  and  the  Crickets. The  line  up  was   Brian  Poole  ( vocals ), Rick  Westwood ( lead guitar ), Alan Blakley ( rhythm guitar ), Alan  Howard ( bass )  and  Dave  Munden ( drums ). They  were  signed  to  Decca  allegedly  because , being  London-based,  they  would  be  easier  to  contact  than  the  Liverpudlian  alternative.

Being  signed  earlier  they  got  their  first  single  "Twist  Little  Sister"  out  six  months  before  the Beatles. It  was  written  by  John  Beveridge  and  Peter  Oakman  two  British  songwriters  ( shortly  to  score  big  with  Joe  Brown's  A  Picture  Of  You )  and  was  an  original  song  not  as  one  might  have  expected, a  quick fire  Chubby  Checker  cover.  Nevertheless  it  starts  with  a  similar  drum  break  to  Lets  Twist  Again  from    Munden  and  generally  follows  the  format  with  a  staccato  one  note  riff  from  Westwood  and  a  confident  vocal  out  front  from  Poole. "Blue "  is  also  pre-Beatles , a   Hollyesque  ditty  ( written  by  four  guys  unknown  to me )  with  some  neat  harmonies. awkward  shifts  in  tempo  and  a  slightly  over-polite  vocal  from  Poole.

" A Very  Good  Year  For  Girls " had  to  compete  with  rival  versions  from  Johnny  Tillotson  and  Vic  Dana. None  of  them  made  the  charts and  none  deserved  to. It's  a  terrible   novelty song  with  references  to  girls  used  in  song  titles  over  the  past  three  years  and   Poole  makes  it  worse  by  doing  some  of  it  in  a  comedy  voice. That's  partly  offset  by  some  good  drumming  and  guitar  but  the  song is  a  dog.

Their  fourth  single  "Keep On  Dancing"  was  co-written  by  Poole and  Blakley  with  producer  Mike  Smith  ( not  the  Dave  Clark  Five  singer )  and  featured  in  their  appearance  in  the  film  Just  For  Fun, a  flimsily  constructed  musical  but  an  invaluable  snapshot  of  the  1963  pop  scene  with  cinematography  from  Nic  Roeg  and  a  part  for  a  now-notorious  DJ  from  Yorkshire. It's  more  of  a  Brill  Building  pop  song  than  a  "beat"  number  though  it  does  have  a  pretty  good  guitar  solo  from  Westwood  and  just-the-right-side-of-moronic  backing  vocals.

This  was  then  their  fifth  single  and  a  very  familiar  song  which  will  appear  again   in  this  story. The  Medley- Russell  composition  was  a  US  hit  for  the  Isley  Brothers  in  1962  and  then  the  final  track, arguably  the  highlight,  of  The  Beatles' debut  LP  Please  Please  Me  released  in  March  1963.  When  it  became  clear  that  the  Fab  Four  were  not  going  to  release  it  as  a  single  the  boys  put  out  this  very  similar  version, Poole  trying  to  find  a  rasping  edge  to  his  voice. It's  not  a  great  piece  of  work  but  did  the  job  of  putting  them  on  the  pop  map.  

  

3 comments:

  1. " 2. Being a backing band that did better once uncoupled from their main man ( the only example that comes to mind at the moment )."

    An unkind soul might have said "Joy Division". Not me, though.

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  2. Me neither : they were never his backing band.

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  3. Just my sorry attempt at humour! There's certainly been cases of a backing band having huge success after splitting with the singer (the Shadows, for one), but I agree it's a struggle to think of an example where their success was so much more significant than their former singer's.

    On another note, Brian Poole isn't exactly a great name for the frontman of a band. Even at this stage, it makes them sound like a relic from a previous age.

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