Thursday 17 August 2017

683 Hello Blur - She's So High


Chart  entered :  27  October  1990

Chart  peak : 48

Number  of  hits  : 27

This  is  a  difficult  one  for  me. I  struggle  with  how  Blur  have  achieved  the  enduring  mass  audience  that  many  of  their  chief  influences  were  denied  and  why  other  people  don't  find  Damon  Albarn's  Renaissance  Man  pretensions  as  repellent  as  I  do. I  have  a  grudging  respect  for  their  achievement  in  popularising  spiky  art-pop but  they're  a  band  I  can  never  really  embrace.

Singer  Damon  Albarn  and  guitarist  Graham  Coxon  were  childhood  friends  in  Essex. They  both  went  to  Goldsmiths  College  in  London  where  they  met  bassist  Alex  James  in  1988. Damon  was  already  in  a  band  called  Circus  and  that  October  they  replaced  their  drummer  with  Dave  Rowntree. After  a couple  of  sackings,  Graham  and  Alex  were  invited  to  join  the  band  and  they  changed  their  name  to  Seymour  after  a  J.D. Salinger  novel. They  soon  interested  Andy  Ross  of  Food  Records  but  the  label  didn't  like  the  name  and  gave  them  a  list  of  alternatives  which  included  "Blur". In  March  1990  they  were  signed  under  that  name  and  sent  out  on  tour  as  support  to  The  Cramps, releasing  this  debut  single after  it  finished.

"She's  So  High"  is  at  the  more  accessible  end  of  the  shoegaze  sound  with  a  bright  melodic  guitar  riff   and  hummable  chorus  compensating  for  the  rather  sludgy  tempo. The  song  has  minimal  repetitive  lyrics, more  of  a  mantra  about  sex  and  drugs  or  both, delivered  in  that  familiar  needling  whine  that's  always  going  to  be  a  barrier  to  me. It's  not  a  bad  debut  effort though  and  I'm  not  surprised  it  was  a  minor  hit.

1 comment:

  1. I share some of your misgievings on Blur (and Albarn) - they're a band I occasionally like, but never love. However, I'd choose them over their future rivals every day of the week.

    This song, I do like, but that they quickly shifted to a "baggy" sound with "There's No Other Way" does suggest an element of bandwagon jumping.

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