Wednesday 22 March 2017

620 Goodbye Four Tops - Loco In Acapulco


Chart  entered  :  3  December  1988

Chart  peak : 7

The  Motown  veterans  exited  with  a  big  hit  although  I  doubt  many  people  would  pick  it  as  their  favourite   song  by  Levi  Stubbs  and  the  boys.

The  Tops  were  the  most  consistently  successful  Motown  group  scoring  their  only  number   one  in  1966  with  "Reach  Out  I'll  Be  There". Their  success  continued  into  the  early  seventies   but  after  "Simple  Game"  reached  number  3  in  1971   their  popularity  waned . The  hits  became  much  smaller  and  after  1973  stopped  altogether  though  their  singles  were  still  usually  minor  hits  in  the  US.  They  made  an  impressive  comeback  in  1981  on  Casablanca  with  "When  She  Was  My  Girl"  reached  number  3  in  the  UK  but  were  not  able  to  sustain  it. They  returned  to  Motown  in  1983  but  after  two  flop  albums  departed  again  and  signed  for  Arista. We've  already  discussed  their  first  single  for  the  label, "Indestructible"  in  saying  goodbye  to  Smokey  Robinson.

The  next  single  from  the  album  "Indestructible"  was  this  one  although  it  owes  its  success  rather  to  being  featured  in  the  film  Buster. The  song  was  written  by  the  legendary  Lamont  Dozier  in  collaboration  with  Buster's  star  Phil  Collins   so  not  unexpectedly  you  have  a  musical  blend  of  old  Motown  tropes  and  that  trademark  fussy  brass  sound  that  Collins  always  favoured  on  his  solo  records. The  lyrics  are  mainly  holiday  tripe  set  to  an  irritatingly  catchy  tune   although  there's  an  effective  switch  to  a  minor  key  section  reflecting  the  character's  own  change  of  heart  about  living  the  fugitive's  high  life. This  is  the  only  part  of  the  song  that  deserves  the  quality  of  the  vocal  performances.

There  were  three  more singles  from  the  album  , "If  Ever  A  Love  There  Was",  a  duet  with  Arethra  Franklin  that 's  the  epitome  of  dreary  corporate  balladry ,  "The  Sun  Ain't  Gonna  Shine"  which  isn't  the  Bacharach/David  song  but  an  awful  Albert  Hammond  and  Diane  Warren  "effort"  that  re-uses  the  backing  track  from  Starship's  Nothing's  Gonna  Stop  Us  Now , and  "Change  of  Heart"  written  by  Australian  Paul  Kelly  whose  strong  lyrics  about  domestic  abuse   don't  really  mesh  with  the  slick  production  and  feather-light  chorus. None  of  them  were  hits  either  in  the  UK  or  US.

With  that  the  group  more  or  less  called  time  on  their  recording  career  and  became  a  classy  cabaret  act. Motown  got  them  back  in  the  studio  once  more  for  the  album  "Christmas  Here  With  You"  which  is  as  essential  as  such  efforts  usually  are. The  guys  alter  the  melodies  to  suit  and  Arethra  turns  up  again  on  "White  Christmas "  and  "Silent  Night"  but  you  really  don't  need  to  hear  it.

Eighteen  months  later  Lawrence  Payton  died  of  liver  cancer   aged  59  forcing  the  first  line  up  change  in  44  years.They  toured  as  a  trio  The  Tops  for  about  a  year  and  then  recruited  one-time  Temptation  Theo  Peoples  to  fill  Lawrence's  shoes.  In  2000,  Levi  became  ill  with  cancer  himself  and  had  to  retire  though  he  lingered  on  for  another  eight  years. Peoples  moved  into his  role  and  Ronnie  McNeir  took  Lawrence's  part. This  line-up  performed  at  the  50th  anniversary  concert  in  2004,  at  which  Levi  made  a  brief  appearance  in  a  wheelchair . Obie  Benson   actually  predeceased  him, dying  of  lung  cancer  in  2005.  He  was  actually  replaced  by  Lawrence's  son.

This  has  left  Abdul  Fakir  as  the  sole  survivor  from  the  original  line  up  . In  2010  he  was  talking  about  a  new album  but  it's  never  materialised  and  the  group's  schedule  has  gradually  diminished  as  he  enters  his  eighties.

1 comment:

  1. Worth adding Levi's storming performance in "Little Shop of Horrors", with the song "Feed Me" being a particular highlight. He carries this song, as you accurately note, in spite of the usual crap Collins production values - I often think the man could sing a bus timetable and make it sound like he was going through mental torture.

    Random fact: I suggested Levi as a name for my recently born nephew, in tribute to Mr Stubbs, but was sadly shot down.

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