Sunday 17 September 2017

708 Hello Manic Street Preachers - You Love Us


Chart  entered :  25  May  1991

Chart  peak : 62  ( 16  in  re-recorded  form  in  1992, 49  on  re-release  in  1997 )

Number  of  hits  : 37

This  was  the  next  release  on  Heavenly  after  Nothing  Can  Stop  Us, the  contrast   between  the  bands  emphasising  what  a  fractured , confusing  period  the  early  nineties  was.

Manic  Street  Preachers   were  formed  at  Oakdale  Comprehensive  School  in  Blackwood, South  Wales   in  1986  as  a  straight  punk  band. James  Dean  Bradfield  ( vocals/ guitar )  was  a  teenage  guitar  prodigy  who  sometimes  went  out  busking, Sean  Moore  ( drums )  was  classically  trained  and   Nicky  Wire  ( guitar ) was  a  copious  lyricist. Miles"Flicker" Woodward  made  up  the  original  quartet   on  bass  but  quit  in  early  1988,  feeling  they  were  moving  too  far  away  from  punk. That's  hard  to  credit  when  you  hear  "Suicide  Alley", the  self-financed  single  they  released  as  a  trio   ( Nicky  had  switched  to  bass ) on  SBS  a  few  months  later. Though  the  sound  is  surprisingly  clean, it  is  still  a  punk  thrash  with  snarly  vocals  and  lyrics  of  youthful  disaffection  and  sounds  pretty  similar  to  The  Clash's  Tommy  Gun  although  some  of  James's  guitar  work  also  has  echoes  of  The  Rods' Do  Anything  You  Wanna  Do.  Only  300  copies  were  pressed  at  the  time  so  few  heard  it  but  Stephen  Wells  of  the  NME  made  it his   single  of  the  week  after  a  re-pressing the  following  year.

The  sleeve  for  the  single  was  designed  by  another school  friend  Richey  Edwards  who  was  in  his  last  year  at  university  in  Swansea, studying  political  history.  He  often  drove  the  band  to  gigs  and  acted  as  their  roadie. After  graduating  he  joined  the  band  as  principal  lyricist  and  rhythm  guitarist  although,  like  Sid  Vicious,   he  couldn't   actually  play.

Richey  was  fond  of  slogans  both  on  shirts  (  as  per  The  Clash  )  and  in  his  lyrics  e.g  "And  consumer  self  hate  leads  to  designer  bullshit"  throwing  up  challenges  for   the  band's  musicians  Sean  and  James  to  fit  them  into  disciplined  songs, particularly   the  latter  who  had  to  sing  them. Their  first  record  with  Richey  was  a  four  track  EP  "New  Art  Riot"  on  Damaged  Goods  in  1990  which  again  is  pretty  much  in  thrall  to  The  Clash  although  the  final  track  "Teenage  20/20"  borrows  heavily  from  Sham  69's  If  The  Kids  Are  United .

The  deal  with  Damaged  Goods  was  just  for the  one  EP  and  the  band  then  signed  with  Heavenly. They  released  their  first  mass  produced  single  "Motown  Junk"  in  January  1991. It's  not  a  direct  attack  on  the  label  more  of  a  rejection  of  eighties  values  such  as  holding  Motown  up  as  a  touchstone  of  quality. The  line  "I  laughed  when  Lennon  got  shot"  was  included  for  shock  value. The  music  remains  rooted  in  1977  sounding  a  bit  more  like  The  Sex  Pistols  than  The  Clash.

"You  Love  Us"  was  the  follow  up  single.  Despite  starting  with  a  sample  from  the  modern  classical  piece,  Threnody  to  the  Victims  of  Hiroshima  by  Polish  composer  Penderecki  , it's  one  of  their  simpler  songs, a  statement  of  their  dedication  to  provocation. It's  also  their  first  to  have  any  sort  of  hook  in  the  chorus. It's  still  in  a  punk  vein,  with  a  coda  based  on  Iggy  Pop's  Lust  For  Life, although  James's  guitar  solo  betrays  a  desire  to  appeal  to  the  metal-loving  hordes  in  provincial  Britain. The  video  takes  the  provocation  a  stage  further  with  both  Richey  and  Nicky  flirting  with  make-up. The  band  re-recorded  it  for  their  debut  album  on  Columbia  , dropping  the  Lust  For  Life  segment  and  it  became  their  biggest  hit  to  date  for  a  second  time. The  song  charted  again  in  the  wake   of  their  fourth  album's  crossover  success.
      

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