Monday 15 February 2016

467 Hello Matt Bianco -Get Out of Your Lazy Bed


Chart  entered : 11  February  1984

Chart  peak : 15

Number  of  hits  : 10

Hello  Matt  Bianco ? ..... You're  a  bunch  of  wankers !!

Thus  said   caller  Simon  on  Saturday  Superstore   and  it's  hard  to  argue  with  him.  Matt  Bianco  were  representatives  of  a  London-led  attempt  to  prevent  a  resurgence  of  rock  as the  New  Pop  threw  up  such  unappetising  fare  as  Jones  and  Kershaw.  Championed  by  the  likes  of  DJ  Gary  Crowley  and  Jim  Reid  at  Record  Mirror , the  answer  was  to  return  to  the  early  sixties  and  support  anyone  whose  main  influences  were  jazz. They  were bolstered  by  the  decision  of  a  major  rock  star  in  Paul  Weller   ( later  to  be  joined  by  Sting ) to  turn  his  back  on  rock  music. There  was  a  political  side  to  this  as  well. While  rock  had  produced  its  fair  share  of  anti-establishment  radicals,  it  was  now  perceived  by  the  Islington   left  as  innately  conservative  and  ideologically  suspect . We'll  meet  some  other  beneficiaries  of  this  shortly  but  Matt  Bianco  were  first  out  of  the  traps.

Matt  Bianco  were  formed  from  the  ashes  of  an  earlier  attempt  to  shift  the  cultural  goal  posts.  By  the  summer  of  1981  music  journalists  were  anxious  to  move  on  from  the  New  Romantic  movement  and  latched  on  to  salsa  as  the  Next  Big  Thing. Accordingly  they  threw  their  weight  behind  Blue  Rondo  a  la  Turk , a  Latin  jazz  collective  helmed  by  punk  failure   Chris  Sullivan . Virgin  were  hoodwinked  by  the  hype  and  gave  them  a  deal. In  their  line  up  were  guitarist  Mark  Reilly  and  bassist  Kit  Poncioni .

In  one  of  the  most  celebrated  cases  of  chart  gazumping, while  Blue  Rondo  were  in  the  studio  , a  couple  of  opportunistic  plastic  punks  operating  in  the  group  Modern  Romance  appropriated  the  salsa  style  and  scored  two  big  hits  before  Blue  Rondo's  debut  single  got  out  of  the  traps. "Me  And  Mr  Sanchez"  peaked  at  a  less  than  impressive  number  40  in  November  1981  and   those  journos  who  hadn't  bought  into  them  were  quick  to  highlight  their  failure. Personally  I  think  it  would  have  struggled  without  Modern  Romance's  intervention. The  band  kick  up  an  impressive  storm  of  carnival  jazz  but  the  bass  is  very  pedestrian  and  upfront  they're  woefully  weak  even  with  Christos  Tolera  doing  a  joint  lead  vocal  with  Sullivan. The  follow  up "Klacto  Vee  Sedstein"   compounded  their  problems  with  a  solo  vocal  from  Sullivan  whose  thin  nasal  tones  are  hopelessly  inadequate  but  as  he  was  writing  most  of  the  songs  he  could  hardly  be  sacked. Add  to  that  a  title  that  deterred   people  from  asking  for  it  over  the  counter  and  an  intro  that  consisted  of  adenoidal  sniffing and  it  did  well  to  get  as  high  as  number  50.

After  that  they  were  finished  , their  reputation  as  a  failed  hype  preceding  them. Their  debut  album  "Chewing  The  Fat"  , featuring  new  keyboards  player  Danny  White   reached  the  dizzy  heights  of  number  80  in  the  autumn  of  1982  and  subsequent  singles  failed  to  chart. Along  with  Poncioni,  Mark  and   Danny  decided  to  quit  the  group  in  1983 and  form  their  own  outfit. To  help  out  on  vocals  they  recruited  Polish  exile  Basia  Trzetrzelewska   a  well  known  singer  on  the  Polish  rock scene  such  as  it  was.

At  first  they  called  themselves  Bronze  but  soon  changed  their  name  to  Matt  Bianco  after  an  imaginary  spy  character. They  got  a  deal  with  WEA  towards  the  end  of  the  year.

"Get  Out  Of  Your  Lazy  Bed"   was  their  debut  single. Although  Poncioni  is  pictured  on  the  back  of  the  sleeve  he'd  left  the  group  by  then  and  only  plays  on  the  B-side. It's  a  long  time  since  I  last  heard  this  and  what  strikes  me  first  is  how  electronic  it  actually  is  with  only  the  drums  and  sax  sounding  like  they're  not  being  played  on  a  synthesiser. I've  already  declared  my  lack  of  love  for  jazz  so  this  was  never  going  to  float  my  boat  but  I  can  see  why  it  was  successful. The  song  is  slight  and  Mark's  vocals  are   pretty  ordinary  ( though  much  better  than  Sullivan's  in  his  old  band )   but  it  moves  along  at  a  fair  lick  and  Basia's  multi-tracked   scatted  contributions  are  the  icing  on  the  cake, surely  the  reason  it  was  a  Top  20  hit.

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