Friday, 10 November 2017
732 Hello Pearl Jam - Alive
Chart entered : 22 February 1992
Chart peak : 16
Number of hits : 15
In July 1995 I was in Chicago and battling to make my way back to the station against the traffic-stopping flow of hordes of young fans heading to the Soldiers Field Stadium for a gig by this lot. That made me think I should investigate them a bit further but I've never found a way into appreciating them.
Pearl Jam had their roots in a band called Green River ( named after a regionally infamous serial killer ) formed in Seattle in 1984. Most of the members had been in local punk bands before that. It featured two future Pearl Jam members in guitarist Stone Gossard and bassist Jeff Ament. In May 1985, they released the mini-LP "Come On Down", now regarded as the New Rose of grunge. The six tracks are a challenging listen as vocalist Mark Arm's braying voice is one only a mother could love but there's something there in the guitar work and the lyrics about coping with a political dullard for a girlfriend ( "Swallow My Pride" ) or a fatal overdose ("Ride of Your Life" ). They recorded another, five track, EP in 1986 but couldn't get it released until the following year through Sub Pop. "Dry As A Bone" is as forbidding as its predecessor with only the guitar work on the second track ( "Baby Takes" the lyrics of which I hope aren't meant to be taken literally ) having any appeal for the casual listener. Their only album "Rehab Doll" was completed after the band had split up with Arm accusing Stone and Jeff of being too career-orientated though it's hard to imagine anyone viewing the album's tuneless, nihilistic trudge through the punk / metal borderland as commercially viable.
Initially Stone and Jeff joined a local covers band Lords of the Wasteland but they soon changed their name to Mother Love Bone and started writing their own material led by vocalist Andrew Wood who wrote all the lyrics. Wood could sing like Robert Plant which got major labels interested and they signed for PolyGram subsidiary Stardog. Though not very melodic and stuffed with self-loathing lyrics , their debut LP "Shine", released in 1989, is closer to classic hard rock than punk with hints of funk and the first and third tracks. The eight minute closer, "Chloe Dancer / Crown of Thorns" about choosing drugs over a girl is pure Guns 'n' Roses minus a tune.
The band spent the autumn of 1989 recording their debut album "Apple" but just days before its release, Wood died of a heroin overdose despite declaring "I don't believe in smack" on the opening track "This Is Shangri-la". Even more than the EP, "Apple" sets out the group's stall in classic rock. The quality of the songs varies widely from the embarrassing cock rock of "Captain Hi-Top" to the moody excellence of "Bone China" "Stardog Champion" and "Gentle Groove" but there's enough of quality to mourn Wood's passing.
There was no thought of continuing the band without Wood. Stone started jamming with another Seattle guitarist Mike McCready whose band had just split. He encouraged Stone and Jeff to start getting another band together. They attempted to recruit former Red Hot Chili Peppers drummer Jack Irons but he rejected the invitation. He did however recommend they send a demo tape of their music to his friend, singer Eddie Vedder who'd been with a Californian band called Bad Radio. Eddie wrote some lyrics to the music and sent back the tape with his vocals added. After a brief audition, he was in the band. The drumming stool was originally filled by Dave Krusen who'd been in a number of bands in Seattle in the eighties. They originally called themselves after a basketball player Mookie Blaylock then changed to Pearl Jam. They recorded their debut album "Ten" with Dave on drums but he left the band before it was released
"Alive" was one of the songs that Eddie added words to on that demo tape. The music, composed by Stone, was originally entitled "Dollar Short ". Eddie's words were semi-autobiographical recalling being told that his stepfather wasn't his biological father who was now deceased although he insists the oedipal second verse is fictional. The dysfunctional subject matter, needling grind of the guitar riff and Eddie's affected world-weary howl put them in the grunge bracket and the single was a hit in the wake of Nirvana's breakthrough. You do suspect with the tightness of their playing and Mike's wild solo at the end that they would have succeeded as a conventional hard rock outfit and certainly Kurt Cobain didn't recognise them as fellow travellers, describing them as a "corporate band". But they're here and he isn't.
Subscribe to:
Post Comments (Atom)
Grunge did the best part of zero for me, but I suspect these lot's longevity is in part to their having little in common with the likes of Nirvana - Eddie Vedder always struck me as something of a Jim Morrison wannabe. Perhaps they are that scene's version of the Stranglers...
ReplyDeleteMorrison's a good call. I think with The Stranglers you'd have to add the caveat "minus the good songs".
ReplyDeleteI liked "Jeremy" for the bass part and even with "Alive", I can praise Vedder for putting such a sentiment to song, but in the main part, yeah, their music left me very cold. At least Nirvana sometimes had some nifty drumming to admire!
Delete