Wednesday, 19 July 2017
673 Hello Lenny Kravitz - Mr Cabdriver
Chart entered : 2 June 1990
Chart peak : 58
Number of hits : 19
Lenny hasn't always had the best press but has shown some durability as an artist.
He was born in New York in 1964 to a Ukranian Jewish father and Afrro-American mother. His father was a jazz promoter who knew all the big names while his mother was an actress. Both of them encouraged his performing ambitions. Lenny left school, a multi-instrumentalist and began working as a session musician. He began working on his own album in the late eighties with his friend, recording engineer Henry Hirsch . He also began a relationship with Cosby Show actress Lisa Bonet and through her met Stephen Elvis Smith who became his manager. Smith engineered a bidding war for Lenny's album which was eventually won by Virgin America.
In July 1989 , Lenny released his first single, "Let Love Rule". The song is a slow-burning , moderately funky plea for world harmony reflecting Lenny's Christian beliefs. The arrangement is quite interesting particularly Karl Denson's sax break but I do detect a similarity between the chorus melody and a Special AKA track Break Down The Door. I also find Lenny's singing on it a little over the top as if he's straining to give a lightweight song some gravitas. It became his second hit on reissue in 1991, reaching number 39.
In the US, the album of the same name was released a couple of months later drawing mixed reviews from critics who felt Lenny's influences were too apparent. Here Virgin released another single first, in January 1990. "I Build This Garden For Us" is another optimistic song about world unity, its string-driven psychedelic arrangement evoking a similar feel to Tears for Fears' recent Sowing The Seeds of Love. Again, it's spoiled by Lenny's over-emoting on the second verse.
It came close to charting and the LP was released here in May 1990, failing to improve on its entry position of number 56. "Mr Cabdriver " was released shortly afterwards. Here ,Lenny eschews the soul posturings and instead channels the spirit of Lou Reed on a tale of racial prejudice amongst New York's cab drivers, apparently based on a true incident. A strategic car horn obliterates the obscenity on the album version. I wouldn't say it's a Desert Island Disc of mine but I like the driving bass line and the extended guitar solo at the end.
.
Subscribe to:
Post Comments (Atom)
I've always been of the mind that Kravitz's best work was "Be My Baby" by Vanessa Paradis - a fine Motown pastiche helped by a singer who knew their limitations, so was thus missing the over-emoting you note on much on the writer's own work.
ReplyDelete