Chart entered : 7 April 1990
Chart peak : 68
About as far removed from The Shamen's future shock sound as you could imagine, one of British rock's most respected figures was making his chart exit the same week with a single that passed me by at the time.
Love Sculpture split up in 1970 with neither their follow up singles to "Sabre Dance" nor their two albums making the chart. Their Welsh guitarist was already interested in music production and it was while working on the debut album by Shakin Stevens and the Sunsets that he heard Smiley Lewis '"I Hear You Knocking" and decided to do a grinding blues version with phased vocals. The resulting single became an enormous hit reaching number one for 6 weeks in 1970 and reaching number 4 in the US. Dave looked set to be a superstar but he wasn't really up for it and his next two singles failed to chart. He came back strongly in 1973 with two Top 10 hits demonstrating his ability to replicate Phil Spector's wall of sound. He then accepted the role of musical director of David Essex's two films That'll Be The Day and Stardust and played the role of Jim McLean's guitarist in both films. After that he became involved in the pub rock scene working from Rockfield Studios near his home. His clients included ill-fated nearly men Brinsley Schwarz and he struck up a friendship with their bassist and singer Nick Lowe. When the band split he and Lowe joined forces in the band Rockpile who became a major live draw but couldn't record under that name until 1980 as Dave and Lowe were contractually bound to rival companies. Therefore Rockpile's string of hits in the late seventies were credited to Dave or Lowe depending on who did the lead vocal. Dave's version of Elvis Costello's "Girl's Talk" was the biggest hit reaching number 4 in 1979, his last appearance in the Top 10. Ironically, Rockpile broke up almost immediately after securing the right to record as themselves . In the eighties, Dave became the go to man for rock and roll authenticity and enjoyed success with The Stray Cats and Kim Wilde though he didn't record much under his own name.
"King of Love" was his first hit in seven years. It was the second single from his forthcoming album "Closer To The Flame" and featured his buddies Brian Setzer and Lee Rocker from The Stray Cats. All three parties knew how to put down a compulsive rockabilly rhythm and don't disappoint in that department. Dave's distinctive tenor is still intact and either he or Setzer contributes a scorching guitar solo. I'm not sure the song is any great shakes; it sounds like a random bag of late fifties lyrical tropes slung together if they fitted the rhythm but it's an enjoyable enough three minutes.
Dave start2013ed to take it easy in the nineties and gradually withdrew from the public eye. He was the musical director of the pilloried John Lennon Memorial Concert in May 1990 although his own set was well received. He subsequently toured with Ringo as a member of his All-Starr band in 1992. The following year he was in court alongside Shakin' Stevens as both were sued by former members of the Sunsets for failing to make over sums due from back catalogue sales during Shaky's eighties hey-day. They won their case and though the rewards were modest Dave and Shaky had to find £500,000 in costs between them.
Dave went back into the studio and released "Plugged In", a response to the number of "Unplugged" sets being released. It was very much a studio effort with Dave playing most of the instruments and using multiple overdubs. It was his last album of completely new material bar a revisit to "Sabre Dance" although most of the songs were covers. It's a well-crafted set of retro-rock but it wasn't going to make any new converts and no single was released.
In 1999 he made a new set of instrumental covers available on his website called "Hand Picked : Musical Fantasies". The following year he toured with Ringo again. A long period of silence followed before a new compilation LP made number 38 in the autumn of 2008. Dave followed this up with an appearance on Jools Holland's Hootenanny that year. In 2009 he made a number of live appearances with Holland.
In 2013 he released "....Again" which was essentially a revision of "Plugged In" featuring nine of the same tracks plus five new tracks ( three of them covers ). The title track was released as a download single , an amiable nostalgic country rocker which demonstrates that Dave's 69-year old voice is remarkably intact. The other original song "People Wanna Get High" sounds like a Beach Boys dropping out song.
Two years ago he released "On Guitar : Rags and Classics" which sees Dave dropping into Hank Marvin territory with guitar-led instrumental versions of hits such as "A Whiter Shade of Pale" and "Wuthering Heights". It's his last effort to date.
Edmunds' no-frills retro style isn't generally to my taste, and he certainly benefited from the lyrical edge of Costello with "Girls Talk", which - to his credit - he makes into a great hit single. But I always preferred Lowe's efforts in the Rockpile team up: as good a place as any for me to wonder how their "When I Write the Book" wasn't a hit.
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