Thursday, 11 September 2014
202 Hello New Seekers - What Have They Done To My Song Ma
Chart entered : 17 October 1970
Chart peak : 44
Number of hits : 14
After waving goodbye to Judith Durham and the boys a couple of years earlier we now had to confront their bastard offspring. The New Seekers' hit run started and ended within the seventies and they are possibly the biggest victim's of Lena's Fog with none of their hits getting radio play any more.
The New Seekers were the brainchild of "old" Seeker Keith Potger who put together a line up, in collaboration with his friend David Joseph, of new faces to carry on the harmony pop tradition of the original band. The first recruit was young actor and guitarist Laurie Heath who answered an advert placed in The Stage. He suggested his friend Chris Barrington for the bass. Marty Kristian kept an Australian flavour ( though German-born ) as the third man; Joseph knew him from Australian TV. The two girls were Eve Graham , a Scottish singer and Sally Graham ( no relation ) from the Young Generation Dancers.
Marty was a reasonably successful solo star in Australia in the late sixties with three moderate hits showcasing a light but adaptable voice on folk rock ( Bobby Darin's "We Didn't Ask To Be Brought Here" ) and beat pop ( Crispian St Peters's "I'll Give You Love" ). When his own song the flamenco-flavoured "The Innkeeper's Daughter" failed to chart he packed up for England and was about to go into Hair when he got the call from Joseph.
Eve Graham was the oldest member. in fact a few months older than Judith Durham, and the most musically experienced. She had been singing for most of the sixties, first up in Scotland then down in London with the Cyril Stapleton Band. In 1966 she joined a band called The Track who released a version of "Why Do Fools Fall In Love". They mutated into The Nocturnes. At that point one of their singers Sandra Stevens ( later to turn up in Brotherhood of Man ) left and was replaced by 18-year old Mancunian Lyn Paul. The Nocturnes were a popular live act who flitted between soul and pop. I've only heard three of their five singles , a slow Mavis Staple cover "Why ( Am I Treated So Bad ) " really badly produced, a Jimmy Webb cover , "Carpet Man" and their ambitious final single "Montage" from November 1968 where Lyn seems to be aiming for a new canine audience in the chorus.
Just before joining the New Seekers Eve recorded an overblown duet with singer Roger Cooke , "Smiling Through My Tears " released in June 1969. It's a great vocal performance but just too bombastic to be a comfortable listen.
Unfortunately I haven't heard their first single "Meet My Lord" ( released in October 1969 ) nor anything from their eponymous first album ( released in January 1970 ). Potger produced them and appeared on stage with them but didn't want to be on the recordings. Neither were hits and after an Australian tour in the spring of 1970 Potger proposed to change the band's approach and join it himself. This wasn't to the liking of Laurie, Chris and Sally who quit to form their own band Milkwood on the eve of a summer tour. Replacements had to be found quickly so Eve suggested Lyn would be an ideal replacement for Sally. The guys were replaced by Peter Doyle who had been a star in Australia since the age of 9 latterly in a Walker Brothers - style trio the Virgil Brothers and Paul Layton an Englishman who was primarily an actor but had recently released a single "Mister Mister" the producer of which alerted him to the New Seekers gig. He became the bassist which led to him often looking a goon on TV when the other guys had acoustic guitars and he had to pose with an unplugged electric bass.
The band were caught in a somewhat awkward situation with this, their second single which had been recorded by the original line up and they had to do promotional work for a track on which most of them didn't feature. "What Have They Done To My Song Ma" was written by rising star Melanie Safka as a hippie whinge about artistic interference. The New Seekers shorten it, beef up the vaudeville elements in the original and Eve provides a smoother vocal cutting out the close-to-irritating vibrato and building up to a mighty shout in the final chorus. The Americans liked it more than us placing it at number 14.
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