Monday, 8 September 2014
201 Hello Carpenters - ( They Long To Be ) Close To You
Chart entered : 5 September 1970
Chart peak : 6
Number of hits : 19
One of the decade's defining acts now make their appearance; all the songs people remember them for were released in the 1970s.
The Carpenter siblings were born in Connecticut , Richard in 1946, Karen in 1950. In 1963 the family moved to California. The following year Richard enrolled at California State College where he , already an accomplished pianist, started hanging around with other musicians. At the same time Karen was learning to play the drums whilst at school. Towards the end of 1965 they started a jazz trio with bassist Wes Jacobs , the Richard Carpenter Trio. The following year they won the Hollywood Bowl Battle of the Bands as an instrumental act and were signed by RCA although their recordings were not released until 1991. Later in 1966 Karen was heard singing by producer Joe Osborn who immediately signed her to his Magic Lamp label for the single " I'll Be Yours"
Although it's credited to Karen it is effectively the first Carpenters single as Richard wrote the song and plays the keyboards on it. It's very much in the girl group mode with Karen pitching somewhere between Lesley Gore and Mary Weiss of The Shangri-las although the melody veers off in some strange directions, aided by Karen's irregular timekeeping on the skins. Osborn only had the funds for 500 copies, making it an expensive item to purchase today and his label soon collapsed but his studio continued to be available to them for making demos.
While continuing with the Trio, in 1967 Karen and Richard also formed a six piece vocal group Spectrum with some other students including their long-term collaborator John Bettis. They touted demos around and performed live but no one was interested and Spectrum only lasted a year. The Trio lasted long enough to make a TV appearance on Your All American College Show talent contest although they had to find a substitute bassist for Wes who'd already left for the Detroit Symphony Orchestra. They performed a pretty horrible jazz version of "Dancing In The Streets" out of time with each other. Karen's drum solo is actually more impressive than her singing.
They actually won the prize on offer but it didn't "break" them. The turning point was Herb Alpert hearing their demo and signing them to A & M in April 1969. Their debut album "Offering" was released in October 1969. It was largely made up of songs Richard had written during the Spectrum period and has its moments although it's irredeemably blighted by Richard's decision to sing lead on half the tracks. Whatever his talents as a musician and composer he's an abysmal singer ; "Get Together" is the worst offender where he sounds like he's got a peg on his nose. Karen's talent isn't yet fully formed and some of the arrangements are over-florid. Their cover of "Ticket To Ride" which replaces Lennon's sneaking admiration for the girl's pluck with Karen's utter desolation at being deserted was chosen as a single and reached number 54 in the US. Despite this the album failed; a year later it was reissued as "Ticket To Ride" and made a relatively modest showing ( 150 in the US; 20 in the UK ). Since 2007 it has been out of print. making it hard to get hold of for anyone wanting the complete set; I don't know if Richard has some involvement in that.
Rather than release another single from the LP they pressed on with a new recording. Herb Alpert had been recording another Bacharach-David song "They Long To Be Close To You" after his success with This Guy's In Love With You but wasn't happy with the results and suggested to Richard they might be able to do something with it. It had been recorded before by singing actor Richard Chamberlain, Dionne Warwick and Bacharach himself but never to the latter's satisfaction.
Bacharach has always said that Richard nailed the arrangement with that simple jazz piano hook before Karen pours aural honey on Hal David's ode to a golden Adonis. Then you have the wistful trumpet solo ( not played by Alpert ) and that glorious pause before the "Waaahhh" chorus lays waste to any resistance to its easy charms . It got to number one in the US and broke them all over the world.
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Always had a liking for The Carpenters, particularly Karen’s great voice. Irredeemably MOR and overly treacly at times, saved by sweet songs.
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