Saturday, 25 February 2017
609 Hello Bobby Brown - Don't Be Cruel
Chart entered : 30 July 1988
Chart peak : 42 ( 13 on re-release in 1989 )
Number of hits : 14
Bobby was born in Boston in 1969. He formed a vocal group with neighbourhood friends nine years later which became New Edition. After competing in talent shows around Boston they signed a deal with Maurice Starr who co-wrote and produced their debut album "Candy Girl" with Arthur Baker in 1983.
Initially, they were more successful in the UK when the title track, on which Bobby did some of the lead lines, went to number one with its blend of Baker's electro-funk, rap ( it has a fair claim to be the UK's first rap number one ) and fairly blatant Jackson Five hooks. However they were perceived as something of a novelty act and, like their British counterparts, Musical Youth quickly faded as a chart force." Mr Telephone Man " ( their best song ) was their only other Top 20 hit in 1985.
They were more consistently successful in America but in 1986 Bobby was ejected from the group for ill discipline, a majority of the other members forcing him out.
Bobby signed with MCA as a solo artist and released his first single "Girlfriend" in October 1986. A soft soul number with an attractive pleading vocal and soppy lyrics it reached number 57 in the US but didn't chart here. The chord sequence is filched from Me and Mrs Jones.
Apart from a lacklustre ballad "Spending Time", the album "|King of Stage " is comprised of lukewarm electrofunk efforts with only the title track having much vim. The album peaked at number 88 in the U.S. and the tepid follow up single "Girl Next Door" didn't chart.
Bobby realised he needed to up his game and called on the songwriting/ production duo of Babyface and L.A. Reid who helmed four of the five singles from his next album. "Don't Be Cruel" was the first of these and also the album's title track. It's a very effective example of the style they were developing which became known as new jack swing combining hip hop rhythms with soulful singing ( Bobby sounding very like Shalamar's Howard Hewlett in the bridge to the chorus ). Bobby was comfortable doing rap as well and switches between singing and rapping throughout the song; the rap interludes are backed by melodic keyboards to aid crossover. The lyrics about an unappreciative girlfriend are a bit corny but that's what you might expect from a teenager anyway. The song was only a minor hit here first time round after reaching number 8 in the U.S. but came back bigger the following year.
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