Wednesday, 27 August 2014

192 Hello Kenny Rogers* - Ruby, Don't Take Your Love To Town


( * and  the  First  Edition )

Chart  entered : 18  October  1969

Chart  peak : 2

Number  of  hits : 10

The   last   newcomer  of  the  sixties  was  this  guy whose  10,  well  spread  out,  hits  here  were  on  5  different  labels. Kenny  was  always  a  much  bigger  deal  in  his  homeland  and  he's  a  convenient  herald  for  a  period  when the  American  and  British  charts  largely  went  their  separate  ways  until circa  1982. When  I  first  started  listening  to  Radio  One  in  1973  it  was  quite  schizophrenic  with  a  number  of   the  DJs ( Noel  Edmunds, David  Hamilton  and  Rosko )  clearly  preferring  to  play  stuff  from  the  American  charts  rather  than  our  own.

Kenny  was  born  in  Houston  in  1938. Kenny's  career  too  begins  in  the  fifties  when  he  was  the bass  player  in  a  rockabilly  group  called  The  Scholars. In  1956  they  got  a  local  record  deal  and  in July  put  out  the  raw  doo  wop  single  "Spin The  Wheel"  on  Cue  Records. They  then  changed  labels  to  Dot  who  re-released  it  in  September. I  haven't  heard  their  second  one  "Poor  Little  Doggie"  . By  June  1957  they  had  switched  to  Imperial  for  the  relatively  polished  Comets-ish rock  n  roll  of  "I  Didn't  Want  To  Do  It"  then  it  was  back  to  doo  wop  for  "Eternally  Yours"  in  October. The  group  disbanded  at  the  end  of  the  year.

Kenneth  Rogers   tried  for  solo  success  in  February  1958  with  "That  Crazy  Feeling"  which  sounds like  a  poor  imitation  of   The  Platters  doing  The  Great  Pretender.  Kenny's  young  voice  is  nothing like  the  old  man's  wheeze  on  the  hits  but  it's  not  that  impressive  either, sounding  a  bit  strained. His second, strangely  released  under  the  banner  "Kenny  Rogers  The  First"  , "For  You  Alone"  is  more  of  the  same  except  that  Kenny  wrote  it  himself.  Kenny's  next  single  on  Pearl  Records  had  to  be  released  incognito as  Lee  Harrison  -and  sung  an  uncomfortable  ocatave  deeper  -  because  he  was  still  contracted  to  Carlton. It's  dreadful.

Kenny  then  disappeared  into  a  jazz  trio  the  Bobby  Doyle  Trio  ( later  Three )   as  the  bass  player  though  he  also  wrote  and  played  for  other  singers. He's  on  their  1962  album  "In  A  Most  Unusual  Way "  and  they  made  one  single  "Don't  Feel  Rained  On"  which  Kenny's  brother  Lelan  produced  in  1964. They  split  up   in  1965  and  Kenny  tried  again  with  a  solo  single  "Here's  That  Rainy  Day" in  1966  which  I  haven't  heard.

In  1966-67  he   had  a  brief  stay  in  the  New  Christy  Minstrels , an  amorphous  folk  collective  that  had  already  launched  Barry  McGuire  and  Gene  Clark  and  he  made  up  an  illustrious  trio  of  newcomers  with  Kim  Carnes  and  soon-to-be-famous  actress  Karen  Black. However  he  didn't  stay  very  long  and  from  what  I  can  make  out  he's  not  on  any  of  their  records.

Kenny  left  the  Minstrels  in  company  with    guitarists  Mike  Settle  and  Terry  Williams  and  vocalist  Thelma  Camacho. They   added  drummer  Mickey  Jones  and  created  a  new  band , the  First  Edition. Williams's  mother  had  industry  connections  and  soon  got   them  a  deal  with  Reprise.  Their  first  single  was  Mike  Settle's  "I  Found  A  Reason"  in  October  1967. Settle  did  the rough  hewn   lead  vocal  on  this  brash  pop  number  with  Beatles- aping   brass  which  was  produced  by  Mike  Post,  later  to  become  the  master  of  the  low  key  TV  theme  tune.  It  wasn't  a  hit .

Kenny  took  the  lead  vocal  on  the  next  one  , the  psychedelic  classic  "Just  Dropped  In ( To  See What  Condition  My  Condition  Was  In ) . It  was  written  by  Mickey  Newberry  as  a  warning  against LSD  by  describing  its  effects  and  first  recorded  by  Jerry  Lee  Lewis  who  then  decided  he  didn't like  it. The  First  Edition's  version  has  a  backwards  guitar  intro  and  proto-metal  solo  both  courtesy of  Glen  Campbell  and  the  music  sounds  like  a  Zombies / Who  cross  over  in  a  good  way. Kenny's vulnerable  vocal  - more  recognisable  now  as  him - is  another  plus  giving  the  sense  of  a  man  into something  over  his  head.  After  they  appeared  on  the  Smothers  Brothers  show  with  Kenny   reclining  on  an  outsize  blue  bed  it  reached  number  5  in  the    US  charts  early  in  1968.

Unfortunately  the  band  seemed  to  take  fright  at  their  own  record  and  the  follow-up  "Only  Me"  is  a  tame  jaunty  pop  number  in  the  style  of  the  Turtles. It  wasn't  a  hit.  The  interesting-sounding    "Charlie  the  Fer' De  Lance"  and  another  Mickey  Newbury  song,  "Are  My  Thoughts  With  You ?"  were  their  next  two  singles  but  I  haven't  heard  them  and  they  didn't  chart. They  got  back  on  track  commercially   with  Settle's  song  "But  You  Know  I  Love  You"  which  got  to  number  19  but  it's  a  disappointing  song  about  having  to  go  on  the  road  and  sounds  like  the  New  Seekers.   The  flop  follow-up  "Once  Again  She's  All  Alone"  sounds  like  a  sequel  both  musically  and  lyrically   and  is  easily  forgettable.
   
Probably  the  major  reason  why  it  flopped  was  a  sudden  demand  for  the  last  track  on  their  previous  LP  to  be  released  as  a  single  following  brief  exposure  on  a  TV  documentary. Previously  the  media  had  avoided  that  reference  to  "this  crazy  Asian  war"  in  Mel  Tillis's  song  like  the  plague  but  now  "Ruby  Don't  Take  Your  Love  To  Town" was  the  hottest  thing  in  town. Someone  - I  don't  know  that  it  was  Kenny - suggested  that  putting  out  "Ruby..."  under  the  name  "Kenny  Rogers  and  the  First  Edition"  would  enable  both  records  to  be  hits, a  logic  that  I've  never  quite  followed.  In  any  case  "Ruby..."  buried  its  predecessor  , reaching  number  6  in  the  US  and  charting  worldwide. Kenny's  name  stayed  out  front  for  the  rest  of  their  career.

Here's  Lena's  take  Ruby . Seems  like  she  likes  the  song  more  than  I  do.

Next :  The  70s  and  our  first  boy  band

 

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