Thursday, 10 July 2014
165 Hello Pink Floyd - Arnold Layne
Chart entered : 30 March 1967
Chart peak : 20
Number of hits : 10
Anomalies abound here. We only get to talk about the 'Floyd due to the brief charting of a popular album track in the download era. No other band is so badly represented by their singles chart record. Only two of their ten hits feature what most people ( sorry Syd fans ) would consider the classic line up. Yet this is is a band whose stock never seems to stop rising - despite the fact their last new record was released 20 years ago ( much longer than that if you take Roger Waters's part ) - and you could make a credible case that they have been more influential than the Beatles.
The band started to coalesce in 1963 amongst architecture students at London Polytechnic. The story is quite tortuous, involving various unrecorded bands and unfamiliar ( to us ) bandmates and well-covered elsewhere if you're interested. By mid-1965 they had boiled down to the four guys on the sleeve above ( Rick Wright - keyboards, Roger Waters - bass, Nick Mason- drums and Roger "Syd" Barrett - lead vocals and guitar ) and were about to change their name from The Tea Set to The Pink Floyd Sound , honouring two bluesmen from Syd's record collection. Roger and Syd were childhood friends in Cambridge.
Accordingly they played mainly R & B covers at this point albeit stretched out by lengthy soloing. In 1966 they attracted two managers Peter Jenner and Andrew King and the six became partners in a management company Blackhill Enterprises to promote the band. The band lost the "Sound" tag, joined the London underground scene and caught attention with their crude but effective light shows. Syd started writing his own material which he would then improvise on stage. At the UFO Club in London they started attracting their own fanbase and the record companies came calling.
The UFO's manager Joe Boyd co-financed a recording session which produced "Arnold Layne" and three days later they were signed by EMI for a hefty advance. "Arnold Layne" is like nothing that had gone before save perhaps some of Joe Meek's more outre output ( it was recorded just four days before his death ) . Chosen for a single because it was the easiest of their lengthy songs to whittle down to three minutes, it concerns an actually unidentified ( Arnold Layne = Rolo Tomassi ) underwear thief who used to steal bras and knickers from the lines of Syd and Roger's mums when they had female lodgers. The oddness of the subject matter is underlined by Syd's droning sneer of a vocal and the reversion to nursery rhyme simplicity - "Doors bang, chain gang" - wherever possible. The music adds to the queasiness with Syd's one note Eddie Cochran riff that doesn't go anywhere and Rick Wright's macabre organ textures. EMI's decision to use the Boyd session version rather than their re-recording means the organ break still sounds a bit bolted on. It was too much for Radio London who led the way in refusing to play it and it's generally accepted that some chart hyping by their management helped it up to number 20.
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I can just (just!) about handle the Syd version of Floyd, though attempts of various acquaintances over the years to convince me Barrett was a genius have to be no avail, but the line-up that became one of the biggest bands in the world I have always considered to be a total nightmare. Roger Waters has never been anywhere near to close of how clever he thinks he is.
ReplyDeleteI obviously like them more than you do but go part of the way on Waters. How he can be so arrogant when he can't string three chords together is amazing. From The Wall onwards his work is the best example of the Emperor's New Clothes in music.
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