Wednesday, 16 August 2017
682 Hello The Black Crowes - Hard To Handle
Chart entered : 1 September 1990
Chart peak : 45 ( 39 on re-release in 1991 )
Number of hits : 11
There's a nice symmetry in these guys coming in just as Fleetwood Mac finally depart. Their debut album was called "Shake Your Money Maker" named after an Elmore Leonard song that the Green-era Fleetwood Mac recorded with Jeremy Spencer taking the lead.
The first incarnation of The Black Crowes was a school band, Mr Crowe's Garden, formed by brothers Chris and Richard Robinson in Atlanta. Georgia in 1984. They were apparently influenced by local heroes R.E.M. initially but gradually shifted their focus to reviving blues rock. They picked up drummer Steve Gorman towards the end of 1987 when they were being scouted by local record labels. In 1989 they settled on Johnny Colt on bass and Jeff Cease on lead guitar , changed their name to The Black Crowes and signed with Rick Rubin's Def American label.
They released the album at the beginning of 1990. The first single was "Jealous Again" in April. With Chuck Leavell adding bar-room piano and references to drinking in the lyrics, their debt to The Faces couldn't be more obvious although Chris is no Rod Stewart in the vocal department. The band recreate the swagger of their heroes competently enough but the song is very average with slung-together lyrics. It reached number 75 in the US and missed our chart by a whisker.
"Hard To Handle" was the only cover on the album. A hit for Otis Redding in 1968, it had just about recovered from its mauling by Mae West in Myra Breckinridge, who made sure the double entendres became single. The band's version is quite fast and has no brass parts with Leavell's organ filling in the gaps and making them sound like early Deep Purple. Chris handles the vocal well enough and it's a competent cover of a good song. It reached number 45 first time out but after it got to 26 in the US it was re-released here and improved slightly on its original position.
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I think "competent" is about a good a word as can be found to cover it. I love the Otis original, and this is what you'd expect from any decent bar band you could find across America.
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