Wednesday, 1 March 2017
612 Goodbye Smokey Robinson* - Indestructible
( *The Four Tops featuring ... )
Chart entered : 17 September 1988
Chart peak : 55 ( 30 on reissue in 1989 )
Smokey enjoyed a successful career with The Miracles, peaking when "Tears of a Clown" made number one in 1970. In 1972 he quit The Miracles to concentrate on his role as vice-president of Motown.. However , just a year later , he commenced a solo career. He released a string of albums and singles throughout the seventies which did OK in the US but were barely noticed in the UK . He scored a huge hit in 1981 with " Being With You" which went to number one here but didn't appreciably halt his slow commercial decline.
As the credit suggests he's a guest on "Indestructible", the title track on The Four Tops' latest album. Written by Sandstrom and Price ( ? ) , it's a very synth-heavy dance pop track with vacuous strength through unity lyrics and very predictable key changes. There's a reasonable hook to it but it's safe, bland stuff from an act long past its prime. Smokey's part in it is minimal; I can only discern three lines which would have been better left to the mighty Levi Stubbs, still in good voice here. It's a very bathetic way for such a lauded artist to make his exit from the charts. The song was reissued after featuring in the film Alien Nation and did a bit better second time around.
When Motown was sold off to MCA in 1988 , Smokey had to step down as vice president but he had one more album to give them , 1990's "Love, Smokey" which has more named producers than there are tracks. The lead single "Everything You Touch" sounds suspiciously like Every Time You Go Away. The follow-ups "Same Old Love" and "Take Me Through The Night" are similarly bland MOR soul. None of them made the US chart and none of them were written by the so-called "greatest living poet" either. The album didn't make the Top 100.
Smokey then cut his ties with Motown and released his next album "Double Good Everything" on the SBK label . He jettisoned all the eighties production and attempted to return to his R &B roots. The stripped-down sound is welcome but it does rather emphasise that his voice isn't what it once was. "Skid Row" has some lyrical bite but overall the album does end up sounding rather sterile. The title track was Smokey's last entry on the US chart peaking at 91. The album itself failed to chart.
Smokey fell silent for the next 8 years* until he re-signed to Motown for the release of "Intimate" in 1999. As the title suggests it's a set of languid and erotic contemporary R & B songs. If you can rid your mind of the fact that the guy singing them is pushing 60, it's a convincing effort if you like that sort of thing. It made a minor showing in the US chart.
After another lengthy silence ( during which he got married for the second time ) Smokey released a Christian LP "Food For The Spirit" in 2004, perhaps as penance for the sexual stuff on the previous album. He also sang the theme to children's animated series ToddWorld. Two years later he released a standards album "Timeless Love" which charted at 109 and was nominated for a Grammy.
In 2009 he released the album "Time Flies When You're Having Fun" on his own Robso Records label. It's a desperately plodding, geriatric ( Smokey was pushing 70 ) soul effort with star guests Joss Stone and Carlos Santana making no difference whatsoever to the torpid songs on which they feature. Only the slinky electronica of "Love Bath" is worth a second hearing. Nevertheless it reached number 59 in the US charts. The following year he reissued seven of the tracks coupled with live renditions of five of his biggest hits as an album "Now And Then" which itself charted at 131.
Smokey 's latest album to date is 2014's "Smokey and Friends" , a truly dismal affair on which various "friends " - Elton, Barlow, Jessie J, Mary J Blige etc - drop by for a duet with the old man on thoroughly arthritic versions of his greatest hits. It's uniformly terrible; I can't pick out any high or low points,
Smokey Robinson is 77 years old.
* I did sort of attend a Smokey gig in 1994 when he performed at Philadelphia's 4th of July celebrations that year. From where I was sat with my pen-friend in the city, I could neither see nor hear him but the fireworks were good !
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I'm not sure much Smokey did beyond the late 70s stands up much... his rampant drug addiction can't have helped with his creative muse. All the same, his output in the 60s for his own band and others (especially the Temptations) earns him legendary status.
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