Wednesday, 28 September 2016
555 Hello Brother Beyond - How Many Times
Chart entered : 4 April 1987
Chart peak : 62
Number of hits : 10
You don't hear this lot on the radio much but they were briefly contenders and at least one of their number is still around and doing alright for himself.
Brother Beyond were formed, appropriately enough . by two brothers, Francis ( born 1966 ) and David White in 1985. Francis played bass and did the drum programming while David played guitar. Francis had been the bass player in Yip Yip Coyote and acquired the nickname Eg, a terrible pun but it stuck. Yip Yip Coyote were part of the cowpunk scene around 1983-4 . They went the full mile and performed in stetsons, bootlace ties, cowboy boots the lot and attracted a decent live following, the odd Peel session and finally a contract with IRS. They released a couple of singles in the UK, "Dream of the West" and "Pioneer Girl" but their LP "Fifi" was only released in France and Japan. They employed some talent on the latter with Tony Mansfield and Anne Dudley producing individual tracks but in truth they were polishing a turd. Vocalist Fifi Coyote couldn't sing, songwriter Carl Evans couldn't pen a decent tune and their Theatre of Hate meets Bow Wow Wow sound was already a couple of years out of date. The line up was completed by keyboard player Carl Fysh and singer Nathan Moore who had no previous recording experience.
They got a deal with EMI and released their first single , "I Should Have Lied" , in August 1986. Produced by Don Was, it's a surprisingly sophisticated piece of mature pop somewhere between Chris Rea and China Crisis with a smoothly assured vocal from Nathan and some great synth work. It's just not immediate enough to work as a single without a generous amount of airplay.
"How Many Times" was the somewhat delayed follow-up and although written by the same pairing of Francis and Carl it's dire, the band having veered off towards the bland funk-pop of Kajagoogoo or later Spandau Ballet. The lyric reveals some interest in the language of love songs a la Martin Fry or Paul Heaton but in such a lightweight musical setting they were not going to attract a cerebral audience . The fact that they were rewarded for going down the lowest common denominator route was just one more depressing aspect of the late eighties.
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Seems strange they managed ten hits despite totally passing me by, while the likes of Curiosity Killed the Cat, Johnny Hates Jazz and Then Jerico all remain in memory. Shows the poor quality of their songs, I guess...
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