Thursday, 15 September 2016
551 Hello Anthrax - I Am The Law
Chart entered : 28 February 1987
Chart peak : 32
Number of hits : 10
This record coming in at number 37 was further evidence that a band with a strong fanbase need make no concession to commerciality to enter the Top 40.
Anthrax were formed in Queen's , New York City in the summer of 1981 by guitarists Scott Ian and Dan Lilker. Scott was born in 1963 and was inspired by Kiss, Black Sabbath, Iron Maiden and Motorhead although he also listened to The Ramones. He got the name of the band from a biology textbook and liked its evil implications. There already was an anarcho-punk band of that name in Britain, of whom he was probably unaware. The early line up was fluid as they built up a live reputation. They are considered one of the four originators of thrash metal, a combination of British metal values and US hardcore punk influences especially the ultra-fast drumming with two bass drums. The lyrics were usually serious and pessimistic although Anthrax's unique contribution to the genre was to add a little humour to the mix.
In 1983, Charlie Benante joined as their third drummer and Dan Spitz ( born 1963 ) came in as a guitarist as Lilker switched over to bass . Charlie was born in 1962 and hailed from The Bronx. In addition to his drumming abilities Charlie was a graphic artist and designed their sleeves and T-shirts. The band became friendly with record store boss Jon Zazula whose record label Megaforce had just released " Kill 'Em All", Metallica's debut LP. He signed Anthrax up and they released the single "Soldiers of Metal" in November 1983 followed shortly after by the album "Fistful of Metal". To me it all sounds like speeded up Iron Maiden with a similar disregard for a decent tune. The track "Metal Thrashing Mad" gave this admittedly ferocious sound a name but the only track that stands out is the cover of Alice Copper's "I'm Eighteen" where they're obliged to slow down a bit. Tellingly Scott refused to play on the track which was included at Zazula's insistence . Neither record charted.
Shortly after the album's release, both Lilker and singer Neil Turbin were fired. Charlie's nephew Frank Bello ( born 1965 ) who had been roadying for the band stepped in on bass. The band briefly converted to a hardcore punk covers band called The Diseased while they looked for a new singer. They eventually chose Joey Belladonna ( born 1960 ). His first recording with the band was the "Armed and Dangerous" EP in February 1985 ( although its live tracks featured Turbin ). The title track hinted at versatility with a semi-acoustic intro before the gallop begins and the EP featured a version of the Pistols' "God Save The Queen " sung rather too politely.
In the autumn they released their second album "Spread The Disease" which was distributed by Island in the UK. With Joey doing a creditable impersonation of Rob Halford they now sounded more like speeded up Judas Priest than Maiden with Joey's phrasing making the lyrics more intelligible. Despite that it's still likely to send any casual listener looking for the aspirin bottle. They picked "Madhouse" for the next single ( it could have been any track really ) and made a promo for it but it got banned for being in bad taste. The album made a minor mark on the US chart. With some spare studio time available Scott and Charlie recorded an album of punkier material under the name Stormtroopers of Death.
Anthrax spent most of 1986 playing live and were on the European tour with Metallica which ended with the death in a road accident of the latter's Cliff Burton.
"I Am The Law" was the lead single for their third album "Among The Living". Like The Human League song of the same name it was inspired by 2,000 A.D.s zero tolerance cop of the future. Its chart success owed everything to their hard work in building an audience and Island's marketing nous ( there was a picture disc version ) , nothing to any attempt to sweeten the pill. "I Am The Law" has a shouty chous of sorts - including the line "Don't you fuck around no more " so I'm guessing there was a radio edit available -but it's an uncompromising pounding noise-fest with their usual trick of accelerating when you might be expecting them to wind it down. Outside of The Friday Rock Show, I would hazard a guess this is one of the least-played Top 40 hits of the deade.
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