Sunday, 21 August 2016
539 Goodbye The Commodores - Goin' To The Bank
Chart entered : 25 October 1986
Chart peak : 43
Like Rose Royce and Shalamar, The Commodores were attempting to soldier on after the departure of key members.
The seeds of the group's demise were sewn by their greatest success in 1978 when the gruesomely boring Our Tune favourite "Three Times A Lady" topped the charts on both sides of the Atlantic. From then on piano ballads written by Lionel Richie with limited involvement from the other guys dominated their singles output and after the enormous success of "Endless Love" his duet with Diana Ross he made the inevitable decision to go solo in 1982. He was replaced by a guy called Skyler Jett but in the UK the hits stopped immediately. The following year guitarist Thomas McClary quit the group and was replaced by Sheldon Reynolds who had played with Millie Jackson and the Ohio R & B outfit Sun. Sheldon does not appear on the record sleeves so I'm not sure he was counted as a full member of the group. In 1984 Jett was replaced by J.D. Nicholas who had been the touring singer for Heatwave since 1979 when vocalist Johnnie Wilder was left paralysed by a car accident. They immediately enjoyed a huge comeback hit with "Nightshift" an affecting tribute to the recently deceased Jackie Wilson and Marvin Gaye which reached number 3 on both sides of the Atlantic but subsequent singles from the LP of the same name were less successful.
In 1986 they switched labels to Polydor and lost bassist Ron LaPread who emigrated to New Zealand to be with his new wife..
"Goin To The Bank" was their first release on Polydor and the lead single from their album "United " released at the same time. Lyrically it pursues the same theme as Wham's Everything She Wants, bemoaning a stay-at-home partner who sucks up all the singer's hard -earned income. The band prove their ease with contemporary electro-funk and JD supplies a very Anglo-sounding rap section towards the end. It does lack the strong chorus that would probably have got it into the Top 40. It was their last new hit on both sides of the Atlantic, peaking at 65 in the US. The follow-up "Take It From Me" , a jittery Michael Jackson style dance pop number isn't noticeably inferior but again lacks a real hook. "United In Love" is a cloying electro-ballad with terrible cliched lyrics. They'd never been a strong albums act in the UK but "United" failed to chart here and did poorly in the US.
Sheldon ended his association with the group in 1987 to join Earth Wind and Fire although some of his work was on the next album "Rock Solid " in 1988. At the same time as its release , their 1977 number 9 hit "Easy" was a hit again in the UK following its use in a popular commercial, this time reaching number 15. There was no such luck with the contemporary singles. "Solitaire" is a routine 80s R& B number only distinguished by some nice sax work and "Grrip" is a tuneless trip through Cameo and Prince territory.
Polydor cut them loose and in 1989 keyboardist Milan Williams was sacked after a row over plans to tour South Africa ( which in the event was cancelled ). The band, now reduced to a trio of JD, Walter Orange and William King, had to set up their own label to release new material. They cobbled together a Christmas album in 1992 which was ignored then a year later came "No Tricks". The single "Everything Reminds Me Of You " is a competent enough wallow in Richie territory but didn't sell and the album failed to chart.
Since then the trio have stayed together as a touring act and have re-recorded some of their old hits but there's been no more new material.
We're not through with Lionel yet of course and Sheldon's story will be picked up when we say goodbye to EWF..
Milan does not seem to have been musically active after leaving the band. He died of cancer in 2006 aged 58.
Ron is still involved in music in New Zealand and played bass on an album by Johnny Croot. He has occasionally joined Lionel on stage.
Thomas signed a solo contract with Motown and released an eponymous album in 1984. It's a very generic R & B effort. Thomas's voice is up to the task but it never really catches fire and sounds like the sort of thing one of the other Jackson brothers would churn out. The single "Thin Walls" wasn't a hit and the album failed. He did some writing and producing fr other artists such as Klique and Michael Henderson but in 1986 retreated to Florida. He set up his own label for gospel music and eventually released his own contribution to the genre with the 2008 album "A Revolution Not A Revival". His image was tarnished in 2011 when he faced battery charges after harrassing the wife of an old friend. Like Ron he has occasionally appeared on stage with Lionel. In 2014 he set up his own version of The Commodores to go out touring.
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