Saturday, 24 October 2015
423 Hello China Crisis - African and White
Chart entered : 7 August 1982
Chart peak : 45
Number of hits : 11
Merseyside's most anonymous and perhaps under-rated band made their chart debut in the summer of 1982.
Vocalist and keyboard player Gary Daly and guitarist Eddie Lundon met at St Kevin's Secondary School in Liverpool's near-neighbour Kirby. Both from working class backgrounds they formed China Crisis , the name a vague reference to Eddie's slightly Oriental facial features, in 1979 with drummer Dave Reilly.
The trio wrote this song together and first released it on the independent label Inevitable at the beginning of 1982 when it had the misfortune of being slobbered over by Radio One's Peter Powell. When he first joined the station in 1977 Powell seemed like a good bloke and in 1980 was given the tea time show. That same year the practice of broadcasting specially recorded session tracks to get around the needletime restrictions was extended from the evening shows to his. Probably by happy accident two of the first bands featured on his show were Spandau Ballet and Duran Duran and when they went stellar it turned his head. He saw himself as another great taste-maker, a sort of John Peel for the masses, adopting an unctuous presenting style - mocked by his then-tolerable colleague Steve Wright who trailed him as "the sincere voice of Peter Powell" - which made his show a difficult listen and becoming obsessed with spotting the next big thing. Most of his predictions were dismal failures - anyone for Buzzz, Bim, Passion Puppets, Matt Fretton ? - and his endorsement probably did a band more harm than good.
I've already reviewed the song on the albums blog :
"African And White" comes next, a song I still don't hold in much regard. This was the way they could have gone, pallid vaguely funky agit-pop , a sort of lightweight Gang of Four without the passion to pull it off. The references to Israel are perplexing - perhaps they're protesting Israel's dealings with the apartheid regime but there were targets closer to home which makes singling Israel out very questionable. I do like the intro though , the way the real drums emerge from behind the electronics and then the percussion fills; it's a shame the song as a whole is disappointing.
I have noted since writing that there's still some debate as to whether the lyric does mention Israel though on a live version from 2005 on YouTube Gary does enunciate the word more clearly than on record.
The single didn't chart on first release but Virgin still snapped them up and gave them a generous advance. There was an intervening single , "Scream Down At Me" , which is in a similar vein but to my ears more appealing, before it was re-released in the summer. It was billed as a re-mix but I couldn't tell much difference and I'm not sure which mix was included on the album.
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