Thursday, 1 October 2015
414 Goodbye Adam and the Ants - The Antmusic EP ( The B-Sides )
Chart entered : 13 March 1982
Chart peak : 46
Adam and the Ants comfortably beat Bill Haley and the Comets for shortest chart life though of course we're not done with their frontman yet.
After they first broke through Adam Ant became the top teen idol of his day and the band were chart champions of 1981 with a total of 91 weeks on the chart partly due to re-released singles from their previous record companies. In March the line up experienced its final change when bassist Kevin Mooney decided he'd had enough of Ant's monomania and quit in dramatic fashion , throwing his bass to the ground at the end of their slot on the Royal Variety Show. The cameras were on Adam's face at that moment and his "what the f**k ? " expression is priceless. He was replaced by Gary Tibbs who had recently departed from Roxy Music.
Their peak moment came when "Stand And Deliver" crashed straight in at number one. I'd been in Manchester the weekend it came out and no one seemed to be buying anything else so I assured everyone at school who would listen that it would be ousting Bucks Fizz that week and so it did. Nevertheless even by the end of the year there were signs that the appeal of Antmusic was on the wane. Their new album "Prince Charming" was roundly trashed in the press and failed to displace Dare from the number one slot while the magnificently unhinged "Ant Rap" could only manage number three as a single.
This single was Do It's release of the last tracks they had in the vaults, out-takes from the band's recording sessions for Dirk Wears White Sox. "The B-Sides " is a bit of a misnomer since only one of the tracks, "Kick" had appeared before, in a substantially re-worked version on the flip side of "Car Trouble". As a reminder the group at this stage comprised Adam, Matthew Ashman , Dave Barbarossa and Andy Warren. None of these three tracks are all that good. "Friends" is a mildly amusing dig at name-dropping liggers which puts Jim Morrison in the same verse as Nobby Stiles and sounds like XTC. I do like the sudden emphasis on "Bryan Ferry !" but otherwise it's ephemeral."Kick !" is a sub- two minute Banshees impersonation with back of a fag packet lyrics while "Physical" aims for a Velvets-esque sleazy grind but is just a sluggish , tuneless piece of heavy metal.
The timing of the release was poor as it clashed with Ego's re-release of "Deutscher Girls" which did rather better in the charts. That partly accounted for the lowly chart position
A month later Adam announced that Gary and drummer Terry Lee Miall were out on their ear. He said he was tired of showing them what to do which was pretty outrageous. Gary wouldn't have been in Roxy Music for two albums if he couldn't play and there's no evidence Adam ever picked up a pair of drumsticks. He started auditioning for new members but then guitarist Marco Pirroni said he was fed up of touring and the Ants were disbanded completely instead. Marco would remain as his songwriting partner and Chris "Merrick" Hughes as his producer for solo releases. Some promo and picture discs for his next record had been produced during the intervening period with "Adam and the Ants" as the artist.
We'll come back to Adam shortly. Marco stuck with him until 1985 when Adam went off to America to seek fame as an actor though he was back on board for Adam's comeback singles in the nineties. In the meantime, he had been working with another artist with mental health problems Sinead O Connor and played on three of her first four albums, co-writing the single Jump In The River". He also had a brief spell in Spear of Destiny in 1987 playing on their biggest hit "Never Take Me Alive" and the parent album "Outland".
After Britpop no one was interested in signing Adam and Marco concentrated on his new record label Only Lovers Left Alive. He made appearances on documentaries and nostalgia shows. In 2006 he and Paul Cook got together to help The Slits , now featuring the latter's daughter Hollie, launch a comeback, playing on and producing their EP "Return of the Killer Slits". There are two tracks of their dub punk fusion which has aged reasonably well but still isn't my cup of tea and a punk number "Number One Enemy" which suggests a nostalgia trip back to the sound of 1977 was enjoyed by all.
2006 also saw the first release by Marco's new band The Wolfmen, also featuring Chris Constantinou who'd played with Adam after the Ants split. "Jackie Says" was a decent attempt at modern rock and garnered support from ex-punks like Jonathan Ross and Steve Jones. The Wolfmen have since put out two decent albums ,working with Coutrney Taylor-Taylor of The Dandy Warhols but the world isn't that interested in two sidemen from yesteryear and they haven't made much impression. Marco famously commented on some of his number ones on Popular as "The Wolfmen" around this time. He has now retired from performing but helped out Sinead and Adam on recent albums.
Chris produced Adam's next single but abandoned the sessions for his next album early on to go and work on Tears For Fears debut album , being handsomely rewarded with a number one. He also formed a shortlived duo with Gary, imaginatively named Merrick and Tibbs who released the one single "Call Of The Wild" at the beginning of 1983 . It got a bit of radio play at the time but now sounds pretty rubbish. Whichever one of them's singing isn't much cop and the single is all production and not much song. He stayed on board for Tears For Fears next album copping a lucrative co-writing credit on mega-hit Everybody Wants To Rule The World . He has remained a successful producer working with Robert Plant, Tori Amos, Electric Soft Parade , Propaganda ( whose vocalist Betsi Miller he later married ), Jon Bon Jovi and Peter Gabriel amongst others. His solo LP in 1994 "Shift " was a re-working of pieces by his hero Steve Reich.
After the single with Chris, Gary founded the group Zu Zu Sharks with Alisdair Gordon and Richard Darbyshire. They released three singles between 1983 and 1985 ,"Love Tumbles Down " ( which reached number one in Spain ), "Eyes of the World" and "Changes". Their funk pop sound seems very dated now but they all had half-decent tunes and Darbyshire went on to have hits as lead singer of Living In A Box with a not dissimilar sound.
The band split in 1985 and Gary went on to play an aspiring rock star in the TV series Strike It Rich in 1986-87. After that he became a session musician ,appearing on albums by brian May, Kirsty McColl, Aztec Camera and Corey Hart and at some point relocated to LA. In 2002 he appeared in the satirical short Ant Muzak as Dirk the white sock wearing supermarket manager while "Gary Tibbs" was played by McKenzie Crook. The following year he joined The Fixx. Dismissed in the UK as Police-imitators after two minor hits in 1982 , they were more successful in the US although grunge had chased them out of the US charts long before Gary joined. He was with them for five years playing on one album "Want That Life " in 2003. Their atmospheric guitar rock holds up pretty well but they were never going to make a major comeback. Gary left when the original bassist returned in 2008 and his last recorded work was a contribution to an album of spa relaxation music that same year.
Terry Lee was gutted by the split . He got married, moved to the States and became a plumber. In 2000 he returned to the UK and got a job with Warner Brothers. He plays in a part-time band The Magnificent 7.
After his abrupt departure from the Ants Kevin formed a new group Wide Boy Awake to be managed by his wife Pamela Rooke ( the original Jordan ). They got a deal with RCA but only ended up releasing three singles. "Chicken Outlaw" from October 1982 is a strange mix of synth-pop , country hoedown and nonsense lyrics. "Bona Venture" the follow-up is a more coherent song with the hillbilly influence more pronounced though the beats are modern. "Billy Hyena" from early 1984 drops the country leanings for a blend of jazz melody in the verses and an electro-funk backing. All three are let down by Kevin's weedy nasal vocals and none troubled the charts.
Kevin kept in touch with Marco who produced the first single for his new band Max in August 1987. "Little Ghost" ,an electro-funk number which is completely tuneless. Boy George later covered it. An album was recorded but never released. Kevin also appeared on Sinead O Connor's The Lion And The Cobra. He and model girlfriend Leslie Winer co-wrote the final track "Don't Call Me Joe" with her. He reconvened Max in the early nineties with a line up that included fellow ex-Ant Matthew Ashman and released the album "Silence Running " with Trevor Horn producing but I haven't heard anything from it.
The band dissolved again and Kevin relocated to the US with Winer helping her out on her albums "Witch" ( 1993 ) and "Spider" ( 1999 ). In 1995 he reconciled with Adam and co-wrote a couple of tracks on his Wonderful album. In the early noughties he returned to the UK and launched a new group The Lavender Pill Mob with former Renegade Soundwave man Gary Asquith who released two albums of hip-hop inflected rock somewhere between Eels and Primal Scream in 2003-04 . Adam sang the lead vocal on the track "Black Pirates" on the second one. Kevin now resides in Berlin and works as a DJ.
As we already know Matthew deserted, along with drummer Dave Barbarossa and bass player Leigh Gorman ( who didn't record anything with the Ants ) in 1980 to join Bow Wow Wow. The group eventually started having respectably-sized hits in 1982 peaking in the summer when "I Want Candy" reached number 9 despite Malcolm McLaren's stupid gimmick of having an unplayable B-side. That was McLaren's last contribution to the group; having had his kiddie porn scam exploded by Fred Vermorel he went off to make his own LP with Trevor Horn leaving the band to fend for themselves. They recorded another album "When The Going Gets Tough" with Mike Chapman which was a minor hit in the US but bombed completely over here. The boys then decided to oust Annabella Lwin and reconstitute themselves as Chiefs of Relief. Dave ( along with Gorman ) bowed out of the project almost immediately and was replaced by ex-Pistol Paul Cook. The band are therefore covered in the Goodbye Sex Pistols post.
Chiefs of Relief packed up in 1989. Matthew then joined the next incarnation of Max covered above. His final band was the electronica outfit Agent Provocateur who released their first single "Kicks " in 1994. Their take on trip hop and dance wasn't for me but it's well enough done. Around the time of the second single the rockier "Red Tape" Matthew slipped into a diabetic coma and died aged 35. He was featured on seven of the tracks on their only album "Where The Wild Things Are" eventually released in 1997 but not their minor hit single "Agent Dan" that year. In November 2010 they reunited for a tribute concert headed by Adam Ant for Matthew ; versions of Bow Wow Wow and Chiefs of Relief were also on the bill.
With a family to support Dave judged that session work would provide a steadier income than Chiefs of Relief and was soon proved right with either session or live work for Beats International, Chicane and Republica. In the mid-nineties he had an outfit called Ping Pong who supported Adam on his Wonderful tour in 1995 and released a single "It's About Rhythm" in 1996. In the noughties he's had various short-lived projects - Guilty Fawn, DATHE, Horse Brothers and currently Cauldronated. In 2013 he published a novel "Mud Sharks" which has been well received.
After leaving the Ants Andy joined original Ants guitarist Tom Hardy ( Lester Square ) in The Monochrome Set, in time to play on their debut LP "Strange Boutique" which turned out to be their commercial peak when it charted at 62 early in 1980 despite having no hit singles. It's a strong collection of leftfield guitar pop and it's hard to pinpoint why the band never managed to cross over to the mainstream. They were going for quite a while and had a good reputation as a live band. Perhaps they were ahead of their time and would have appealed to Smiths and Pulp fans. The instrumental track "The Puerto Rican Fence Climber" is pretty close to the former's Oscillate Wildly. It was probably a combination of the esoteric song titles and something in the desultory tone of Anglo-Indian singer Bid that led to a suspicion that they were a bit too clever for their own good.
The quickfire follow up "Love Zombies" released the same year failed to follow it into the charts and brought their time on Dindisc to an end. After a standalone single the psychedelic-flavoured "10 Don'ts For Honeymooners" on Charisma offshoot Pre in summer 1981 they signed for Cherry Red in 1982 . Two more singles the poppier "The Mating Game" and "Cast A Long Shadow" , which sounds like The Inspiral Carpets doing a pastiche of the Rawhide theme, followed before their third album "Eligible Bachelors". They released another single from the album "The Jet Set Junta" which again sounds similar to the Carpets. It did get a bit of radio play but didn't trouble the charts.
Nearly two years later they re-surfaced on their fourth label blanco y negro with the single - "Jacob's Ladder " and there were some hopes that its radio-friendly tune , bright production and stomping beat might finally break the band. It wasn't to be and inevitably its parent album "The Lost Weekend" didn't make any impact. After one more single , the over-cluttered "Wallflower" in 1985 they split up. In 1990 the three main players reunited , re-signed with Cherry Red and released another five obscure albums before ceasing operations again in 1998. During this time the band worked on a couple of albums with fellow Cherry Red artist Jessica Griffin who recorded under the name Would-Be-Goods. Eventually there was a full band of that name and in 2004 Andy joined them playing on their fifth album and so far final album "Eventyr". What strikes me on a first listen is how much Jessica sounds like Kirsty MacColl. In 2010 the Set reconvened once again and have released three more albums including "Spaces Everywhere" in March this year. How Andy makes his living when he's not playing in these non-selling bands I've no idea.
That just leaves us with guitarist Johnny Bivouac who played on "Deutscher Girls". His real name is John Beckett and he still works in the music industry as a soundtrack composer known for the TV series Operation Good Guys in which he also had a small acting part. He is also a director of the Fugitive film company.
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I do wonder how much envy Adam threw towards Hughes when he started having (albeit as producer) mega hits over the world with Tears for Fears... I suspect the dollar made there has put him in "set for life" status!
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