Thursday, 17 September 2015
408 Hello ABC - Tears Are Not Enough
Chart entered : 31 October 1981
Chart peak : 19
Number of hits : 18
Here come another band from Sheffield who became prisoners of their own success.
ABC evolved out of Vice Versa , a synth trio formed in 1979 including Mark White and Stephen Singleton. They set up their own record label Neutron to distribute their music. They were purveyors of a particularly dour and minimalist synth music somewhere left of John Foxx and early Human League with Mark providing the dehumanised vocals intoning their future shock lyrics. In January 1980 they put out a four track EP "Music 4" which got Single of the Week in the NME. This led to an interview by English graduate Martin Fry for his fanzine Modern Drugs ; as the other guy in the trio had just left he was invited to join as a keyboard player. Martin's arrival did not greatly change the sound as their cassette-LP "8 Aspects Of" and Dutch single "Stilyagi" later in the year prove.
While jamming in Holland the guys discovered that Martin had a pretty good singing voice , opening up new possibilities for the band. Mark happily gave up lead vocal duties and suggested they ditch the synths. He switched to guitar and Steve to saxophone. The name of the band was changed to ABC after the last Vice Versa gig at Futurama in September 1980 and they started playing pop with a distinct funk and soul element in deliberate contrast to their previous oeuvre. They needed a rhythm section and so recruited drummer David Robinson and bassist Mark Lickley.
It took them a full year to get a single out but they were well repaid with an instant hit. Lavishly packaged with a rather Fry-centric essay on the back of the sleeve which would have long been held against them if they hadn't been successful , "Tears Are Not Enough" sounds rather lumpy by comparison with what was to come and was reportedly quite difficult to record. David's drumming is leaden to say the least and he was immediately replaced after promotional duties had been fulfilled and producer Steve Brown was also jettisoned in favour of a certain Mr Horn . Still the song was strong enough to cut through the murk with Martin's Bowie-esque vocal delivering a kiss-off to his lover while demonstrating his taste for pop irony with the deliberate references to Ken Dodd's MOR mega-hit of yore. Some of Vice Versa's minimalism is detectable in Mark's one note rhythm guitar and the still -surprising raw percussion break ( which was softened up with a synth-line when they re-recorded it on The Lexicon Of Love ) .
I thought I was going to hate it having read all Fry's bravado about the group but found myself thinking actually this is quite good.
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I do like this song (and ABC), but somehow it feels out of place stuck in the middle of the album that followed. Not sure if that's a oft-held view or not?
ReplyDeleteMaybe. I'm guessing ousted bassist Mark Lickley who co-wrote it is pretty glad it's on there !
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