Tuesday, 8 September 2015
400 Hello Killing Joke - Follow The Leaders
Chart entered : 23 May 1981
Chart peak : 55
Number of hits : 15
Here's another act who've made me think they might be worth investigating further but I've never got round to it.
Killing Joke started in the autumn of 1978 when Jeremy "Jaz" Coleman ( born 1960 ) briefly joined the backing band for a singer called Mataya Clifford whose career never took off. Jaz was an interesting character to say the least, the son of an English father and Anglo-Indian mother ,reportedly from a very high caste family. He was a classically trained pianist and violinist who'd sung in cathederal choirs. He persuaded drummer Big Paul Ferguson ( born 1958 ) to quit Clifford and form Killing Joke. An ad in Melody Maker produced the other two members , guitarist Kevin "Geordie" Walker ( born 1958 ) who'd never played in a band before and Martin "Youth" Glover ( born 1960 ) who'd been in a band with Jim Lydon called 4 Be 2. Their single "One of the Lads" is a prime example of younger brother idol-worship sounding like Death Disco with added banjos. Martin supplied the Wobble-like bass line.
Killing Joke played their first gig in August 1979 supporting The Ruts and The Selecter. Their first release is a bit confusing. Having set up their own label Malicious Damage they signed a deal with Island to distribute the records. In October 1979 they released the EP "Turn To Red", with three tracks, "Turn To Red", "Nervous System" and "Are You Receiving". The first two tracks are PiL- like experiments with dub and reggae and the latter a jagged, tuneless but controlled burst of punk aggression. Both Peelie and John Lydon immediately backed them. In November Island released "Nervous System" as a conventional single and the following month the EP again with an extra track "Almost Red" which is little more than a synth doodle re-working the I Feel Love bass line.
Before the next record they switched the distribution from Island to E.G.Records. "Wardance" in March 1980 sounded like nothing else around at the time, the savagely barked vocals ( like The Stranglers' Jean-Jacques Burnel taken a stage further ) warning of some unspeakable apocalypse , the discipline and muscle of the band's metallic rock sound and complete absence of any concession to melody. Their eponymous debut album followed in August honing this sound although Jaz's voice isn't always so hard on the ear and some tracks such as the follow-up single "Requiem" work synthesisers into the sound mix. If you can cope with the complete absence of anything like a tune and Jaz's unremittingly bleak worldview it's an invigorating listen and certainly Nirvana, Metallica, Marilyn Manson have all paid tribute to its influence. It reached number 39 in the charts
"Follow The Leaders " , their fourth single grafts their hard rock aggression onto an electrodance backing track that's pretty similar to Fascist Groove Thang. With the track anchored by a brutalist drum machine, Paul takes the opportunity to out-drum Adam and the Ants throughout the track while Jaz spits out his anti-conformist diatribe. Again it's completely tuneless. It was perhaps the least commercial chart debut of the year.
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Like you, I'd been meaning to check out these lot for years. Finally, a few months ago, I picked up their "Laugh? I Nearly Bought One" compilation for a few quid and it made my mind up not to bother going further. It's not so much the tuneless aspect (I own plenty of My Bloody Valentine!) more that I simply cannot take Coleman seriously.
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