Friday, 29 May 2015
329 Hello Chris Rea - Fool ( If You Think It's Over )
Chart entered : 7 October 1978
Chart peak : 30
Number of hits : 29
Like Kate Bush, though on a less spectacular scale, Chris broke into the charts at a time when his music didn't seem to fit with anything else that was going on.
Chris Rea was born in Middlesbrough in 1951 to an Anglo-Italian father who owned a chain of ice cream shops and Irish mother. He was already in his twenties by the time he bought his first guitar and taught himself how to play from listening to blues records. In 1973 he joined the local band Magdalene who never got a deal then formed his own group The Beautiful Losers. They did achieve some recognition but when Magnet Records came calling they wanted Chris as a solo artist.
Chris released his first single "So Much Love " produced by Peter Shelley ( the other one ) in May 1974. It's a beefy pop rock effort with melodic similarities to Children Of The Revolution in the main riff and a strong chorus. Chris addresses the song to a girl who's playing hard to get but it sounds more like a threat than a plea, a sign of the dark edge prevalent in much of his early work. It didn't get much attention possibly because his raspy vocals are too low in the mix.
Then there's a four year gap before his next single which has never been fully explained. There seems to have been some conflict with Magnet over his artistic direction. They wanted a singer-songwriter with a suggested new name of Benny Santini while he saw himself as primarily a guitarist who wrote his own material. And so he played on records by folk group Arbre, Hank Marvin and Catherine Howe before delivering anything more.
Finally in March 1978 he came up with this one. "Fool ( If You Think It's Over ) " was written as a compassionate consolation to his teenage sister who'd just been dumped for the first time and its sincerity is plain in both the lyric and Chris's husky delivery. "New born eyes always cry with pain at the first sight of the morning sun" has to be one of the most beautiful lines in pop. The melody is equally gorgeous.
But Chris himself has always been ambivalent about the arrangement by RAH Band man Richard Hewson and producer Gus Dudgeon. He says it's the only record he didn't play any guitar on and re-recorded it for his greatest hits LP. I agree with him that there's a lack of bite there; you have a lazy sax break from Steve Gregory where a guitar solo would have been better and though I like the choppy percussion hook for the intro , its persistence through the song does anchor it in a mellow AOR groove which doubtless helped its prospects in the US where it reached number 12. That in turn led to its belated appearance in the charts here.
It was something of an outlier hit for Chris and returned to the charts in a cover ( actually a bigger hit ) by Elkie Brooks long before he had another Top 30 hit.
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Not till 1985 would Chris trouble the top 40 again, though this was as good at it got for him in the States. Always wondered how his Teesside brogue went down over there...
ReplyDeleteLike Robert Palmer, Chris had the (now almost impossible) luxury of many years "dues paying" before he reached his commercial zenith.