Saturday, 2 May 2015
320 Hello Meat Loaf - You Took The Words Right Out of My Mouth
Chart entered : 20 May 1978
Chart peak : 33
Number of hits : 25
After Evelyn's underground smash come two singles that were played to death on R1 that half term though in neither case did the single crack the Top 30 ( and a third , "Almost Summer" by Mike Love's moonlighting outfit, Celebration wasn't a hit at all. ) I sometimes wonder if pre-download, records could be over-exposed on the radio so that people got tired of them before they had a chance to buy them.
Michael Lee Aday was born in Dallas in 1947. He picked up his nickname at school and used it for his first band in the mid-sixties "Meat Loaf Soul" who once opened for Them. The band morphed into "Floating Circus" and according to wiki released a single "Once Upon A Time" but I've found no corroboration for that. With the band making no headway Meat as we'll call him went into the Los Angeles production of Hair.
Meat made enough of an impression that he and female co-star Shaun "Stoney " Murphy were invited to record an album for Motown subsidiary Rare Earth in 1971. The lead single , credited to "Stoney and Meatloaf" was "What You See Is What You Get" . Shaun's Tina Turner like screech is a better fit for the urban soul backing than Meat's semi-operatic declamations and without much of a tune the record is a bit hard on the ears. It reached number 71 in the US. The follow up single "It Takes All Kinds of People" has a more classically Motown sound and is a better song but Meat still sounds a bit uncomfortable. The album stiffed and didn't do much better when re-released to cash in on his success. Murphy was retained but recorded nothing more and eventually left the label to work with Bob Seger ; Meat was cast adrift once more.
He re-joined Hair on Broadway but was attracted to a smaller production , More Than You Deserve a risque Vietnam-set sex drama written by the little known Jim Steinman. Their life-changing encounter took place when Meat successfully auditioned for a role. A single of the main theme song, a country-flavoured piano ballad, was lined up but its release was cancelled when the show prematurely closed at the beginning of 1974. Meat would re-record it for his 1981 album "Dead Ringer".
Meat moved on to The Rocky Horror Show when it opened in Los Angeles in March 1974 playing two parts Eddie and Dr Scott and was signed up for the film version though only to play the former part. Meat had one set piece song, the rock and roll pastiche "Whatever Happened To Saturday Night". The high vocal range of the song had defeated previous actors including its writer Richard O' Brien.
At the same time Meat was working with Steinman on what was to become "Bat Out Of Hell". It was developed from three songs Steinman had written for a science fiction musical based on Peter Pan called Neverland. The two guys started recording it in autumn 1975 with Todd Rundgren who thought it an hilariously over-the-top parody of Bruce Springsteen's work as producer and members of Utopia and the E Street Band providing the musical muscle. Despite these connections they found it hard to impress record companies who couldn't see any potential in these melodramatic songs and the strange-looking duo, overweight rocker and black-clad geek that were presenting them. During this protracted struggle Meat paid the rent with a stint in the Broadway musical Rockabye Hamlet and vocals on Ted Nugent's Free-For-All album although it's not him on the single Dog Eat Dog.
Cleveland, a subdivision of Epic, eventually took a chance on the album and it was finally released in October 1977. Meat and Steinman went out on the road to promote it.
"You Took The Words Right Out of My Mouth" was originally released at the same time as the album but wasn't a hit. It wasn't released as a single in the UK until after his legendary appearance on Old Grey Whistle Test early in 1978 ( although he didn't perform this song ). Like all the songs on the LP it's a hymn to the teenage sexual experience although as Rundgren gleefully points out it's likely that Steinman rarely experienced the sort of moments he was writing about. The song takes its primary musical cues from Phil Spector with the glockenspiels , massed high backing vocals, Be My Baby drums and cavernous production though its multi-part structure owes more to the duo's background in musical theatre. Meat's vocal meshes perfectly with the song's stop-start tempo suggesting a stallion impatiently pounding the ground with its hooves. Its fairly low placing might be down to the fact that people were buying the whole album instead ( where you could hear the full version with its beyond-pretentious spoken intro ).
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I've never been totally sure whether the music of Meat Loaf (when written by Steinman, at least) is "beyond-pretentious" or just taking the piss. I suppose the sales of the parent album related to this single make the point moot, mind you!
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