Friday, 13 February 2015
291 Hello The Stranglers - ( Get A ) Grip ( On Yourself )
Chart entered : 19 February 1977
Chart peak : 44 ( 33 in a remixed version in 1989 )
Number of hits : 34
These guys' status as punks will always be contested particularly by those who want to claim the punk movement for political correctness but at the time most punks loved them therefore they were an ineradicable part of the movement.
They started out as The Guildford Stranglers in 1974. Brian Duffy, a 36 year old jazz-loving businessman who owned an off licence , fleet of ice cream vans and a company making home brew equipment decided he'd prefer to be a drummer instead and responded to an add placed by guitarist Hugh Cornwell in Melody Maker. Hugh was a 25 year old biochemistry graduate who had just returned from Sweden where he had been doing postgraduate research and playing in a band called Johnny Sox. They soon picked up 22-year old classically-trained bassist Jean-Jaques Burnel , a French citizen based in London and Hans Warmling a Swede who'd been in Johnny Sox completed the line up on keyboards. Brian adopted the stage name Jet Black and the group's name became The Guildford Stranglers. Early in 1975 Warmling returned to Sweden and was replaced by 25 year old Dave Greenfield who was recruited through an ad in Melody Maker. The band played the London pub circuit and gradually built an audience ; although their sound harked back to late sixties psychedelia and The Doors in particular their aggression and provocative stance chimed with the punk movement and they were signed up by United Artists towards the end of 1976.
"Grip" was their debut single and I've written about it before on my Albums blog :
The song is a frantic commentary on their pre-fame lifestyle as a working band delivered in matter-of-fact style by Hugh Cornwell. It displays all the elements of their initial sound namely Jet Black's less is more jazz-flecked drumming, Jean-Jacques Burnel's crunching basslines and Dave Greenfield's dextrous arpeggio-laden keyboard riffs which often , as here, leave Cornwell's scratchy guitar almost superfluous. The icing on the cake on this track is the unexpected sax blast on the chorus. As an opening statement of intent it's hard to beat.
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The early Stranglers' stuff still holds up brilliantly, major credit to the late Martin Rushent's production, but it does always make me chuckle that Jet Black is closer in age to my grandpop than my dad...
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