Wednesday, 6 September 2017
701 Goodbye Japan* - Blackwater
( * as Rain Tree Crow )
Chart entered : 30 March 1991
Chart peak : 62
Japan had a fairly unique chart career. As they only became popular when they were on the point of breaking up, half their hits were re-releases. Guitarist Rob Dean was let go in the summer of 1981 as their new music did not require him and so the band appeared on Top of the Pops a few months later to perform their breakthrough hit, a re-release of "Quiet Life", without anyone to mime his guitar parts. They then released their highly-acclaimed "Tin Drum" album which yielded the Top 5 hit "Ghosts" in April 1982. However tension in the band reached a breaking point when singer David Sylvian relieved bassist Mick Karn of his girlfriend. Both men had already released solo material when the band announced their split in 1982. Since then David's profile had shrunk to being a cult concern, Mick had joined up with ex-Bauhaus front man Pete Murphy in Dali's Car, a project that became a byword for arty pretension though their album is not as bad as their reputation would suggest and drummer Steve Jansen and keyboard player Richard Barbieri put out an ignored album as The Dolphin Brothers in 1987.
That same year Mick and David had a minor hit together with "Buoy" and with the main antagonists now talking a reunion of the "Tin Drum" line up was agreed and they commenced work on an album in September 1989. The idea was to make a commercial record under a new name Rain Tree Crow to lose the baggage of the past. As the work veered off in a less commercial direction and went over budget, Virgin pressed them to re-adopt the name Japan. Mick, Steve and Richard were comfortable with the suggestion but David dug his heels in and they remained Rain Tree Crow.
They finally re-emerged with this single. It is recognisable as a continuation of Japan's latter-day work although without the overtly Oriental influences on "Tin Drum". "Blackwater" is a mournful ballad although not as funereal as "Ghosts" with David indulging his usual penchant for travel metaphors. It might be about death or just his own personal restlessness. It rests on Steve's chattering percussion with understated bass and Bill Nelson contributing some atonal guitar howls for extra colour. It has a decent chorus but it probably was too diffuse to make a big impact after so long away and handicapped by their disguise.
The eponymous album followed a month later and reached number 24 in the UK. It's an impressive piece of work treading in the same moody territory as Talk Talk and Peter Gabriel although it largely moves at the same stately pace throughout and one or two of the instrumental tracks disappear up their own backside. "Every Colour You Are" and "Pocket Full of Change" would have made reasonable candidates for a follow up single but the rest of the band were angered when they realised that David had unilaterally tweaked what they had thought to be the final mix and didn't want to prolong the band's existence by releasing further material.
We'll come back to David in due course.
Mick kept the wolf from the door with session work and released a string of esoteric solo albums often featuring Steve, Richard and his guitarist friend David Torn. The four of them toured Japan in the early nineties playing instrumental sets. In 1997 they set up the Medium Productions label to release their work in various combinations. After 2005 his work was released on his own label MK. With his fretless bass style out of fashion for session work he moved to Cyprus and began to struggle financially. He published an autobiography in 2009. He reunited with Murphy for another Dali's Car album in 2010 but was overtaken by cancer and could only complete enough material for an EP "In GladAloneness" , produced by Steve who also drummed on the sessions , released after his death in August 2010. Its edgy art rock wasn't going to set the charts alight in 2011.
Richard's main employment was in the prog rock band Porcupine Tree from 1993 to 2010 who started becoming popular with their last couple of albums although never scoring a hit in the singles chart. The band has been on hiatus since 2010 with singer Steve Wilson pursuing a solo career. Since then Richard has released a couple of albums with Marillion's Steve Hogarth and released his third solo album of abstract electronica "Planets + Persona" earlier this year .
Unlike his other band mates Steve has worked with David ( his brother of course ) since Rain Tree Crow and the first of three experimental solo albums," Slope" in 2007 was released on David's label Samadhi Sounds. He is still in high demand as a producer and session drummer. He also continues to dabble in photography.
Rob became a session guitarist and worked with Gary Numan, Sinead O' Connor and on some of the albums released by the ex-Japan trio. He was also briefly involved with two flop bands in the eighties, Vivabeat and Illustrated Man. He seems to have left the music business around the turn of the millennium and now lives in Costa Rica where he illustrates bird guides.
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I've always been of the mind that Tin Drum is nowhere near up to the standard of the two albums preceding it, Ghosts aside. Coming at it years later, the Far East influences sound a bit on the naff side. Maybe a "you had to be there" quality...
ReplyDeleteDespite enjoying those aforementioned two albums a lot, I've never investigated the Rain Tree Crow album. Might put it on the shopping list.