Thursday, 1 June 2017
652 Hello Cathy Dennis * - C'mon And Get My Love
( * D Mob introducing.... )
Chart entered : 21 October 1989
Chart peak : 15
Number of hits : 13
Cathy's had such phenomenal success as a songwriter that it seems to have consigned her performing career to a black hole. I don't think I've heard any of her hits on the radio since they were in the charts.
Like Lisa Stansfield she first arrived in the charts as a guest vocalist for a production act. D Mob were a front for Daniel Poku a house music producer from Stoke who was responsible for one of the most annoying hits of the eighties in 1988's We Call It Acieed. In 1989 he was called in by Polydor to work with a young singer -songwriter from Norfolk.
Cathy was born in Norwich in 1969. Her father was a pianist and restaurateur and she began writing songs as a teenager. She worked for the Norwich Union whilst honing her performing skills as a holiday rep at Butlin's. She was spotted at 17 and signed up by an ominous name now entering our story, Simon Fuller , to his 19 Entertainment company. This in turn led to the record deal with Polydor.
Poku worked on her debut single "Just Another Dream" released in the summer of 1989 and was given a co-writer's credit. He also did the backing vocals on the chorus which many took to be Rick Astley . Though it pre-dates Madonna's Vogue, it has that same blend of house beats and icy strings. Cathy has a decent, slightly shrill voice lacking in character, a criticism you can level at the record generally. The lyrics detailing an infatuation are serviceable but uninteresting and it's easy to see Cathy as a British version of Debbie Gibson. Her red hair/ green eyes combination is by far the most striking thing about her. The single didn't chart until it was reissued in 1991 when it reached number 13.
Cathy returned the favour by guesting on the next D Mob single. "C'mon And Get My Love" was written by Poku alone. It's more of a club record with heavier beats and house piano replacing the strings but otherwise it's in a similar vein. Poku adds a couple of polite rap inserts rather than backing vocals. The song's no great shakes - virtually every line in the verses ends in "ya" which is irritating - but it was effective enough, becoming an even bigger hit in the U.S. where it reached number 10.
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