Friday, 12 May 2017

638 Goodbye Gladys Knight - Licence To Kill


Chart  entered : 10  June  1989

Chart  peak : 6

The  Motown  veteran  wasn't  too  long  in  following  her  former  band-mates  out  of  the  charts, this  being  her  first  solo  single  since  her  last  hit  with  the  Pips.

Gladys  was  chosen  to  do  the  theme  song  to  the  latest  Bond  film, the  second  to  star  Timothy  Dalton, after  an  effort  from  Vic  Flick  and  Eric  Clapton  to  fit  in  with  Dalton's  grittier  persona  was  deemed  unsuitable. That  might  have  influenced  producer  and  writer  Narada  Michael  Walden  ( John  Barry  was  recovering  from  throat  surgery )  to  come  up  with  an  arrangement  that  made  deliberate  reference  to  the  rasping  horn  riff  from  Goldfinger .  Apart  from  that  , it  seems  pretty  close  to  Madonna's  Live  To  Tell with  the  same  tempo  and  keyboard  sound  but  lacks  that  song's  icy  drama. It's  actually  the  longest  Bond  theme  and  feels  like  it  too,  being   ponderous  and  bombastic  without  delivering  a  great  tune. The  lyrics  are  reasonably  smart  in  keeping  the  metaphor  going  and  Gladys  is  in  good  voice  but  it's  still  a  relief  when  it  finishes.

Gladys  came  back  with  her  third  solo  album  "Good  Woman"  in  1991. It  reached  a  commendable  45  in  the  US  although  none  of  the  singles  broke  out  of  the  R  &  B  charts. "Men"  was  a  credible  attempt  at  some  new  jack  swing  action  but  elsewhere  the  album  sounds  like  Gladys  is  trying  to  share  Whitney  Houston's  turf. "Superwoman"  is  a  collaboration  with  fellow  vets  Dionne  Warwick  and  Patti  Labelle  on  an  LA  Reid / Babyface  song   but  suffered from  Karyn  White  having  had  a  big  hit  with  it  just  two  years  earlier.

Gladys's  next  one  "Just  For  You "  in  1994  did  almost  as  well. With  tracks  written  by  Babyface  and  Jam  and  Lewis  it's  a  collection  of  glossy  middle-of-the-road  soul  which  Gladys  delivers  in  her  lower  range. It  could  do  without  the  self-pitying  diatribe  that  precedes  the  closing  live   cover  of  Boys II Men's  "End  of  the  Road". The  album  reached  number  53  and  the  Babyface-penned  "I  Don't  Wanna  Know"  tickled  the  bottom  end  of  the  singles  chart.

Two  years  later,  Gladys  made  her  last  mark  on  any  singles  chart  as  one  of  four  voices  ( with  Chaka  Khan, Tamla  and  Brandy )  on  "Missing  You"  ,recorded  for  the  film  Set  It  Off  about  a  black  female  robbery  gang, a  languid  R  &B  smoocher  on  which  the  quartet  try  to  out-emote  each  other. It's  to  be  hoped  the  film  wasn't  as  dull. It  reached  number 25  in  the  US  and  number  2  in  New  Zealand  but  did  nothing  here.

In  1997  Gladys  left  the  Baptist  church  and  became  a  Mormon. The  following  year  saw  the  first  in  a  string  of  gospel  albums  reflecting  her  new  allegiance   with  "Many  Different  Roads".

In   2001  Gladys  released  her  last  album  for  MCA, "At  Last ". It's  a  secular  album  though  there  are  religious  references  in  the  lyrics. It's  another  tasteful  collection  of  middle-aged  soul  with  Gladys's  voice  showing  the  occasional  sign  of  wear  and  tear. It's  a  bit  soporific  in  one  sitting  although  individually  most  of  the  songs  are  quite  good. It  reached  number  98  in  the  US.

The  following  year  Gladys  founded  the  gospel  music  choir  Saints  Unified  Voices   and  recorded  two  albums  with  them, "One  Voice"  in  2005  and  "A  Christmas  Celebration"  in  2006. In  the  latter  year  she  released  her  last  charting  album  in  the  US, "Before  Me"  which  reached  number  93. It's  an  album  of  big  band  jazz  standards, well  done  if  you  like  that  sort  of  thing. 2006  also  saw  her  last  chart  entry  in  the  UK  when  a  Gladys  Knight  and  the  Pips  compilation  reached  number  52  in  the  album  charts.

In  2009  Gladys  sang  a  couple  of  songs  at  Michael  Jackson's  funeral  then  took  Tito  to  the  UK  as  support  act  on  her  farewell  tour  here. In  2010  she  recorded  the  valedictory  single  "Settle" a lo;fi  R &  B /gospel  crossover  which  is  a  bit  of  a  mess  really. So  is  the  electronic  version  of  "I (Who  Have  Nothing )  released  on  the  internet  the  following  year. These  and  other  odd  tracks  were  cobbled  together  on  a  scanty  "new" LP "Another  Journey"  in  2013 which  stylistically  is  all  over  the  place  ranging  from  the  tasteless  overblown  ballad "The  Dream"  to  the  hip  hop  "Searching  For  The  Real  Thing". It  received  little  promotion  and  didn't  chart.

Gladys  released  another  gospel  album  "Where  My  Heart  Belongs"in  2014, her  last  effort  to  date.

Despite  the  farewell  tour  in  2009, Gladys  returns  to  the  UK  for  six  dates  this  summer. She  is  now  72.

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