Saturday, 24 December 2016
574 Hello The Proclaimers - Letter From America
Chart entered : 14 October 1987
Chart peak : 3
Number of hits : 11
This one's a little landmark as the last single I first heard on nighttime radio that went on to be a big hit. That was in the last days of Janice Long on Radio One. She was irritating but generally her tastes were sound. She was replaced by Nicky Campbell who went for a completely different audience with his pre-punk tastes and my days of listening to the radio in an evening were over.
The Proclaimers are twins Craig and Charlie Reid from Leith. They moved around a bit as children, including time in Cornwall, before settling in Auchtermuchty. They were in school punk bands before forming The Proclaimers in 1983 when they were 20. To tell them apart Charlie is the one who plays guitar, Craig is the one who doesn't. They were unknown outside Fife until 1986 when a fan sent a tape to The Housemartins who liked it enough to engage them as support for their UK tour that year. That led to an appearance on The Tube at the beginning of 1987 and in turn a deal with Chrysalis Records.
Their first single "Throw The R' Away", a protest against the mockery of thick Scottish accents was released in May 1987. It's basically a raw and ragged skiffle tune with only the boys' smooth harmonies doing anything to soften the attack. The lads have famously refused to disguise their accents when singing but most of it's intelligible. I think Chrysalis were a bit optimistic if they thought it was going to be a hit though.
The debut album "This Is The Story" came out a month later and the single proved a good indicator of what was on it. With only basic percussion to augment the guitar and vocals it's basically a folk record with the themes alternating between romance and anger at the depressed state of their homeland.
For their next single, Chrysalis persuaded them to do a full band version of the track "Letter From America", a lament for the mass emigration of Scots over the centuries with a smart reference to the revered Radio Four staple of the same name . Gerry Rafferty produced it and there are hints of his own Night Owl in the arrangement. The Reids stay just the right side of overdoing the passion in their delivery and it's got a cracking Celtic tune. The final section with the list of place names followed by the words "no more" brings a lump to the throat. I loved it on first listen and predicted to my new college friend Mark that it would be a hit but he couldn't see it . I was therefore well chuffed when it got to number 3.
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A cracking tune, no doubt. Using the names of towns drained by depopulation (forced or otherwise) over the centuries was a clever trick. I wonder how much the Reid brothers got from it's (very brief) appearance in "The Commitments"?
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