Wednesday, 30 March 2016

482 Hello Alison Moyet - Love Resurrection


Chart  entered : 23  June  1984

Chart  peak : 10

Number  of  hits : 16

We  could  have  said  OK  to  Alison  earlier  of  course  but,  as  I've  covered  both  Yazoo  LPs  on  Clarke  Chronicler's  Albums,  there  seemed  little  point  in  that.

Genevieve  Alison  Moyet  was  born  in  Billericay  in  1961. She  was  involved  in  a  number  of  punk  and  pub  rock  bands  in  Essex  in  the  late  70s  including  The  Vandals, Screamin  Abdabs and  The  Vicars, none  of  whom  made  a  record. In  1981  she  advertised  in  Melody  Maker   for  musicians  to  form  a  "rootsy  blues  band". Her only  reply  came  from  Vince  Clarke  latterly  of  Depeche  Mode  who  she  vaguely  knew  from  school. Having  quit  Depeche  Mode  he  needed  a  singer  on  a  song  called  "Only  You"  to  reassure  Mute  that  he  still  had  something  to  offer. They  became  Yazoo  and  had  immediate  and  massive  success  but  it  proved  to  be  too  much  too  soon  for  a  duo  who  found  it  difficult  to  get  on  at  a  personal  level. They  announced  their  split  before  the  second  album  came  out  in  the  summer  of  1983.

Alison  was  quickly  snapped  up  by  CBS  and  got  to  work  with  Banarama  writer / producers  Swain  and  Jolley.  They  co-wrote  all  the  tracks  for  her  debut  album  and  I  think  that's  why  many , including  myself,  were  disappointed  by  her  solo  career; there  seemed  less  of  her  personality  on  her  solo  stuff  than  on  the  Yazoo  records.  

"Love  Resurrection"   was  her  debut  solo  single. To  anyone  familiar  with  Yazoo  songs  like  "State  Farm" and  "Good  Times "  where  Alison  casts  herself  as  a  latter  day  Big  Mama  Thornton  it  shouldn't  have  come  as  a  great  surprise  that  she's  singing  about  erections  here - "I  want  you  to  grow  in  my  hand"  indeed.  However  raunchy  the  lyric ,  the  single  isn't  bluesy  at  all  but  straight  ahead  eighties  pop , slick  and  tuneful  but  dated ,  particularly  that  ringing  mock-Oriental  keyboard  sound.   It's  a  reasonable  song  but  it  hasn't  aged  well.

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