Tuesday, 15 December 2015

445 Goodbye Bad Manners - That'll Do Nicely


Chart  entered  :  14  May  1983

Chart  peak : 49

By  1983  the  ska  boom  had  well  and  truly  dissipated  and,   Madness  apart  , all  its  leading  lights  were  finding  it  harder  to  chalk  up  decent-sized  hits. The  Selecter  had  already  broken  up  two  years  earlier  and  now  it  was  Bad  Manners'  turn  to  feel  the  chill  wind  of  public  indifference .

Bad  Manners  were  summarily  dismissed  in  Rip  It  Up   as  " a  comedy-ska  troupe  with  a  fat  frontman"  which  is  unfair. Bookending   their  version  of  "Can  Can, their  joint  biggest  hirt  in  the  summer  of  1981,  were  two  fine  straight  songs  in  "Just  A  Feeling"  and  the  doleful  "Walking  In  The  Sunshine". The  latter  was  a  deserved  Top  10  hit  in  the  bleak  autumn  of  1981  but  after  that  they  faltered  badly.  Their  "R  and  B  Party  Four"  EP   , headed  by  a  throwaway  cover  of  Louis  Prima's  "Buona  Sera"  failed  to  make  much  headway  in  the  Christmas  market  and  peaked  at  34. The  next  single  "Got  No  Brains"  didn't  make  the  Top  40  and  although  a  cheap  cover  of  "My  Girl  Lollipop"  restored  them  to  the  Top  10  in  the  summer  of  1982, the  next  single  "Samson  and  Delilah"  was  their  lowest  charting   to  date. The  latter  three  singles  were  on  their  fourth  album  "Forging  Ahead"  which  spent  a  single  week  in  the  charts  at  number  78.

As  the  fourth  single  from  that  LP   and  given  their  declining  fortunes  you  might  have  expected  "That'll  Do  Nicely"  to  bomb  completely  but  it  was  boosted  by  a  television  ad  campaign  for  the  compilation  album  "The  Height  of  Bad  Manners"  which  reached  number  23.  "That'll  Do  Nicely" , which  for  younger  readers  was  the  advertising  slogan  for  American  Express  credit  cards, goes  for  the  same  Everyman  sentiments  as  "Walking  in  the  Sunshine"  with   Buster  Bloodvessel   singing  as  a  commuter  dreaming  of  the  escape  untold  riches  could provide. It's  a  skank  rather  than  a  lope  with  the  horn  section  as  excellent  as  ever  but  it  comes  unstuck  in  the  middle  eight  with  a  Cossack  section  ( punning  on  the  rush  hour  / Russia  similarity )  giving  way  to  a  Latin  tune  for  a  few  bars  and  suddenly  it  sounds  like  they're  trying  too  hard.

The  band  had  already  left  Magnet  before  the  single  came  out.  Harmonica  player  Alan  Sayag  ( aka  Winston  Bazoomies )  left  the  band  for  health  reasons  at  this  point.

 It  was  either  in  1984  or  1985  ( I  suspect  the  latter  but  can't  find  any  confirmation )  that   Bad  Manners  played  the  annual  Ball  at  my  Hall  of  Residence  in  Leeds. They  were  a  somewhat  reluctant  choice  ( sorry  if  you're  reading  this  chaps ) as  they  weren't  thought  to  be  a  "student  band"  but  were  the  best  option  available. I  didn't  go  but  I  remember  my  friend  telling  me  a  bunch  of  skinheads  had  turned  up. It  was  of  course  a  private  gig  for  students  at  the  university  but  they'd  got  wind  of  it  and  begged  for  admittance. The  guys  at  the  door  decided  it  was  a  lesser  risk  to  let  them  in  and  to  their  credit  they  did  behave  themselves.

In  1985  the  band  signed  a  new  deal  with  the  US  label  Portrait. It  was  a  strange  move  as  the  band  had  made  no  impression  there  at  all  although  there  was  a  building  ska  scene  headed   by  L.A.'s  Untouchables  and  Portrait  might  have  been  hoping  to  get  in  on  the  action. It  didn't  work  out  and  to  make  things  worse  contractual  difficulties  meant  their  new  album  "Mental  Notes"  didn't  get  a  UK  release  to  the  frustration  of  their  fans. Confusingly  two  singles  from  it  did  get  released  in  the  UK, the  thoroughly  tuneless  reggae  stomp  of  "Blue  Summer"  and  the  more  melodic  "Tossin  In  My  Sleep"  which  suffers  from  over-production  with  the  song  drowning  in  clutter. Neither  got  any  attention.

Realising  that  they  weren't  getting  anywhere  with  Portrait  the  band  decided  to  return  to  the  UK  where  they  had  to  tour  constantly  to  pay  off  a  tax  bill. Despite  this  Buster  formed  a   leaner  side  band  Buster's  All  Stars  to  do  extra  gigs  and  in  1988  decided  to  merge  the  two  groups  which  meant  bringing  Alan  back  in  and  ousting  four  of  the  original  members, saxophonist  Andrew  Marson, bassist  David  Farren , trumpeter  Paul  Hyman   and  drummer  Brian  Tuitt . 

Andrew  went  back  to  being  a  joiner   and  makes  his  living  that  way  in  the  East  End . He  also  plays  pedal  steel  guitar  in  a  part  time  country  and  western  band  The  Drawbacks. David  now  makes  a  successful  living  as  a  graphic  artist   and  is  "Keith  Richard"  in  a  Stones  tribute  band.  Paul  works  in  finance  in  the  City  but  did  write  some  new  songs  with  Buster  a  few  years  back,  Brian  works  at  a  recording  studio  in  Kent.

The  reconstituted  band   revived  the  Blue  Beat  label  and  ran  it  from  a  barge  in  the  back  garden  of  Buster's  former  home. Their  first  single  for  three  years  was  "Skaville  UK"  penned  by  new  bassist  Nicky  Welsh,  a  decidedly  retro  sax  romp  which  nevertheless  came  close  to  postponing  this  post  for  another  six  years.  Their  next  release  was  a  cover  of  the  old  Patience  and  Prudence  number  "Gonna  Get  Along  Without  You  Now" with an  otherwise  unknown  singer  Verona. Although  Buster  produced  the  single  he  doesn't  seem  to  be  on  it. It's  a  decent  version  and  could  well  have  been  a  hit  with  some  airplay. They  tried  again  in  December  1989  with  "Christmas  Time  ( Again )" , an  almost  rockabilly  number,  to  no  avail. There  was  some  consolation  for  Buster  himself  in  1989  as  he  featured  on  Longsy  D's  minor  hit  "This  Is  Ska".

Blue  Beat  folded  up  at  the  beginning  of  the  new  decade  and  saxophonist  Chris  Kane   decided  it  was  time  to  call  it  a  day. He  became  a  music  teacher  but  in  recent  years  has  been  musical  director  for  a  Billy  Fury  musical. Guitarist  Louis  "Alphonso" Cook   was  allowed  to  become  a  part  time  member  while  he  studied  for  a  French  philosophy  and  language  degree  in  Paris.

In  1992  they  put  out  an  LP  "Fat  Sound"  that  was  mostly  covers.Keyboard  player  Martin  Stewart  and  Welsh  then  joined  Pauline  Black  in  her  re-vamped  Selecter. Alan  had  to  drop  out  again  in  1993 and  left  the  music  business  so  Louis  and  Buster  were  the  only  originals  left  when  they  recorded   a  fun  cover  of  Deep  Purple's  "Black  Night "  in  1996. It  featured  on  their  1997  album  "Heavy  Petting".  

By  this  point  Buster  had  a  new  venture  on  the  go. He  opened  a  hotel  in  Margate  and  named  it  "Fatty  Towers"  . It  catered  for  people  with  huge  appetites  and  attracted  some  media  attention  for   Buster   after  years  out  of  the  spotlight  but  it  collapsed  after  a  couple  of  years.

Buster  went  back  out  on  the  road  though  without  Louis  who  made  his  move  to  Paris  permanent  in  1998. Since  then  Bad  Manners  has  pretty  much  been  Buster  and  whoever  he  wants  to  take  with  him  on  the  tour.  At  some  point  - consultation  with  my  friend  The  Voice  Of  Spotland   favours  16th  December  2000 - our  paths  crossed. Bad  Manners  were  playing  a  gig  in  Lincoln  on  the  same  Saturday that  Dale  were  visiting  Sincil  Bank  and  somebody  thought  it  would  be  a  good  idea  to  invite  Buster  down  to  do  the  pre-match  warm  up , perhaps  knowing  he  had  some  experience  of  this  from  his  time  as  a  sponsor  of  Margate  FC  during  the  "Fatty  Towers"  period.  I  wasn't  listening  to  the  tannoy  properly  and  it  took  me  a moment  or  two  to  realise  who  it  was. He  was  wearing  a  cap  and  was  much  shorter  than  I  imagined. It  was  pitiable. Nobody  around  me  showed  any  sign  of  recognition  and  his act - wandering  round  the  centre  circle  while   attempting  to  get  some  chants  going  in  a  reggae  stylee  - was  just  embarrassing. My  friend  who  specialised  in  abusing  any  veterans  in  the  opposing  line  up  shouted  "Retire  Bloodvessel !"  at  him  which  was  far  more  amusing  than  Buster's  antics.

 Louis  did  play  on  the  last  album, 2003's  "Stupidity"  which  again  was  mainly  covers.  Three  years  later  he  teamed  up  with  Martin  who  had  recently  quit  The  Selecter  in  the  part  time  supergroup  Skaville  UK  who  thus  have  more  original  Bad  Manners  members  than  Bad  Manners  themselves.

In  December  2012  came  the  first  Bad  Manners  single  for  well  over  a   decade,  a  charity  single  for  the  Trussell  Trust   called  "What  Simon  Says"  a  chugging  ska  tune  taking  a  pop  at  Mr  Cowell,  described  in  the  lyric  as  "a  wart  on  the  arse  of  Britain". I  doubt  it  caused  him  too  many  sleepless  nights.  Fans  organised  a   reunion  night  that  same  month  which  attracted  seven  out  of  the  nine  original  members , Buster  and  Louis  being  the  absentees.

Buster's  clearly  going  to  go  on  until  he  drops  - which  I  think  many  people  expected  to  have  already  happened   by  now   -  and  good  luck  to  him .



  

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