Sunday, 23 August 2015
387 Goodbye Dr Hook - Girls Can Get It
Chart entered : 22 November 1980
Chart peak : 40
As we get to the tail end of the year we suddenly have a flurry of farewells. Although this just got into the Top 40 I missed it at the time because this was the season Match of the Day had to switch to Sunday teatime and it overlapped with the first half hour of the chart rundown on Radio One. I think it was the last Top 40 hit I missed until The Style Council's Come To Milton Keynes four and a half years later.
Dr Hook had struggled to follow up "Sylvia's Mother" with a long string of flops most famously their big US hit "The Cover of Rolling Stone" which the BBC banned for advertising even though the magazine was not generally available in the UK . Finally they came back big with the limpid ballad "A Little Bit More" , the 5th best selling single of 1976 in the UK despite not quite reaching the top. Thereafter they had more regular hits with "When You're In Love With A Beautiful Woman" making number one in 1979 although it was always with more MOR material than the Shel Silverstein songs that originally made their name. They'd had a few personnel changes along the way with drummer John David quitting in 1973 to be replaced by John Wolters and guitarist George Cummings leaving in 1975 to be replaced by Bob Henke who himself quit in 1980 and was replaced by experienced session guitarist Rod Smarr. Guitarist Rik Elswit took some time out for cancer treatment in 1976 but returned to the line up when it finished.
This was their fifth hit single in 1980 , a year when they were given their own TV special with guest Kate Bush in April and their "Greatest Hits" set reached number 2 in the album charts so no one was expecting them to disappear any time soon."Girls Can Get It" as the title implies is a song bemoaning the fact that girls can have sex any time they like while guys have to chase it. Except that it was written by a woman , the moderately successful American songwriter Leslie Pearl so I guess if she was writing it for herself originally, the song started out as a mocking boast. Anyhow the guys give it a pop soul treatment with Dennis Locorriere's light voice boosted by a female backing trio which give it a bit more kick than the last few hits they had. They were never really my cup of tea but this is a decent way to close their account. Their new record company Mercury didn't do them any favours by impatiently releasing this while their last single for Capitol, "Sharing The Night Together " was still in the charts causing both to stiff in the forties.
The single was the lead single from their new album "Rising" which struggled to number 44 in the album charts. They'd always struggled to convert their success in the singles chart to significant album sales. The follow-up single in February 1981 was "S.O.S. For Love" , an accomplished AOR ballad with some nice keyboard work from Billy Francis but perhaps just a little too smooth to do the trick. Nevertheless I would have expected it to scratch the bottom end of the charts.
Capitol then got in the way by re-releasing a flop from 1978 , the Shel Silverstein number "I Don't Want To Be Alone Tonight" and the US hit "That Didn't Hurt Too Bad" didn't get released over here.
In October 1981 they came back with Dennis's song "Hearts Like Yours And Mine" a lightly funky soft rock number with some nice flute work that again sounds pretty chart-worthy but got ignored by Radio One.
In February 1982 they released "Baby Makes Her Blue Jeans Talk " which gave their sound a synth rock makeover. It was a sizeable hit in the US reaching number 25 and actually went to number one in South Africa but it no ice over here. The band swung back to their usual sound with the ultra bland "Loveline" which gave them their last US hit (number 60 ). These last three singles featured on the album "Players in the Dark" which bombed completely here and failed to reach the Top 100 in the US.
Their last new single was the African -influenced "Rings" in October 1982 which is quite appealing but the album it was promoting , "Let Me Drink From Your Well" was a resounding flop and they were dropped. With the band no longer having a recording contract percussionist and co-frontman Ray Sawyer quit ; he may have been a peripheral figure on the albums but was a big part of their stage act. Having made the unwelcome but all too familiar discovery that they weren't nearly as wealthy as they expected they had to persevere as a live act without him for a couple of years and then dispersed after a farewell tour in 1985. Four compilation LPs have charted in the UK since the band's demise; 1992's "Completely Hooked" reached number three and "A Little Bit More" and "When You're In Love With A Beautiful Woman" were minor hits on reissue that year.
Ray had cut a few solo singles during the group's lifetime and made some noises about a solo career but he had few takers and it boiled down to one single on the UK's tiny Premier label in 1985. "I'm Ready ( To Fall In Love Again )" is a bland country rock ballad . Ray has a serviceable voice not unlike Long John Baldry's but is horribly let down by the cheap and nasty eighties production. By 1988 he was fronting "Dr Hook featuring Ray Sawyer" ( paying Dennis a licensing fee ) and does so to this day , occasionally putting out a CD of re-recordings of hits plus one album of new material "Captain" in 2010 a retro rock and soul collection which is alright if you like that sort of thing. He toured the UK earlier this year.
Most of the members have had a very low profile since the group split. Billy occasionally joined Ray's band on stage in the early noughties but health issues mostly kept him out of the public eye until his death in 2010. Four years earlier bassist Jance Garfat died in a motorcycle accident on his way to work. John W. died of liver cancer in 1997. Bob went on to play with Jeff Dayton and Glen Campbell ( as a bassist ) and other country stars and in 2010 sold his guitar on eBay to one of the UK Subs ! Rick relocated to San Francisco and for the past 25 years has worked in a music store as their guitar expert. He has fought off cancer a couple more times. He also does guitar tuition, writes articles for music journals and plays in a part-time band Gayle Lynn and the Hired Hands. John D turned up in the pub rock band Eggs Over Easy and played on their 1976 single the irresponsible boogie tune "Bar In My Car". By the time their second LP came out in 1981 he was no longer part of the line up and nothing was heard of him until as "Jay David " he released a CD "Didn't It Rain". On the one track I've heard - "That Lucky Old Son" - he sounds like a creaky old busker who can barely lift a drumstick. George moved to Nashville and became a respected producer and songwriter on the country scene penning the reactionary "Where's The Dress" ( about Boy George ) for Moe Bandy and Joe Stampley in 1986. Rod returned to session work. He died of pancreatic cancer in 2012.
As the main singer in the group it was always likely that Dennis would be the one to sustain a recording career and in a limited way, so it proved. After sixteen years of touring Dennis took it easy for a few years. Like George he moved to Nashville and wrote some songs , did backing vocals for others such as Randy Travis and dabbled in acting. He returned to performing in Oxford in 1992 and soon made his home in the UK.
In 1996 Dennis made an album called "Running With Scissors " on which Rod heavily featured in the only instance of two band members recording together since the split. For some reason it was only released in Norway so Dennis re-issued it in 2000 under the title "Out Of The Dark" and has released two more since then "One Of the Lucky Ones" ( 2004 ) and "Post Cool" ( 2011 ) as well as some live CDs. Dennis has resisted the temptation to do too many re-works of Dr Hook songs and while his stuff is a bit bland for my tastes he's still in good voice and tours regularly.
Subscribe to:
Post Comments (Atom)
Watching the repeats of TOTP, there seemed to be a run of three or four episodes where "Sexy Eyes" was featured, so I guess someone at the BBC was a big fan. That song always seemed a bit creepy to me, for some reason.
ReplyDeleteIt does seem a swift decline from having such so many hits in 79/80, though. A case of the public getting bored of them?
Perhaps or Mercury didn't market them properly ? I don't know - it's a bit of an odd one.
ReplyDelete