Monday, 1 June 2015
332 Hello Feargal Sharkey , John O Neill and Damian O Neill* - Teenage KIcks
(*as part of the Undertones )
Chart entered : 21 October 1978
Chart peak : 31 ( 60 on reissue in 1983 )
Number of hits : Feargal 17 ( 9 with The Undertones, 1 with The Assembly, 7 solo ) ; John 13 ( 9 with The Undertones , 3 with That Petrol Emotion, 1 with Rare ); Damian 16 ( 9 with The Undertones, 7 with That Petrol Emotion )
Poor Michael Bradley and Billy Doherty don't make it as The Undertones stalled at nine hits with the other three getting over the line through their subsequent work.
The Undertones first got together as five teenage friends in Londonderry in 1975, Feargal Sharkey ( born 1958 ), John O'Neill ( born 1957 ), the two guys mentioned above and John's brother Vincent. Before they'd played any gigs Vincent dropped out and was replaced by another brother , Damian O' Neill ( born 1961 ). Initially called the Hot Rods until Doherty suggested The Undertones they were a covers band playing schools and youth clubs until punk exploded. This inspired the band to start writing their own material and they secured a residency at the Casbah Club.
As their confidence grew they recorded a demo tape at Magee University in March 1978 for sending to record companies. No label bit but they got a reply from John Peel offering to pay for a proper recording session. The result was a four track EP named after its main song "Teenage Kicks" on the small Good Vibrations label. Peel immediately began lauding it as the greatest song he'd ever heard and Sire Records became interested. After some haggling by the business-savvy Feargal they were signed up and the rights to the EP with them. Sire then re-released it as it was although "Teenage Kicks" was very much the A-side. Guinness doesn't record it as an EP.
Famously "Teenage Kicks", written by John , is about masturbation with the original lyric reading "I wanna hold it tight " . It captures the sheer frustration of a teenager lusting over an unobtainable girl through the taut quaver of Feargal's voice to the simple slamming three chord riff running through the song. There are only two verses so the song so it basically gets run through twice. The rudimentary guitar solo which appears late in the day seems like an afterthought. For the sound of provincial young punk there is no better example and they looked like a bunch of joyriders to boot. One thing still intrigues me though, what exactly does Feargal sing at the end of each chorus after "through the night " ?
Subscribe to:
Post Comments (Atom)
I always assumed it was Sharkey just giving it "awl-right!"
ReplyDeleteIt still stands up today, this song, even as I'm well into my mid 30s. Very simple, and all the better for it, though the riff does seem to be semi-lifted from the Small Faces' "All or Nothing".
This comment has been removed by the author.
ReplyDelete