Wednesday, 21 January 2015
278 Hello Billy Ocean - Love Really Hurts Without You
Chart entered : 21 February 1976
Chart peak : 2
Number of hits : 19
The third hit in a row on GTO and the biggest of the lot. Billy was the last big star to emerge before punk which almost buried him.
He was born Leslie Charles in Trinidad in 1950. His father was a calypso musician. The family moved to Romford in 1958 and Leslie started performing as a teenager. While working as a tailor's apprentice he recorded a single at Pye but never found anyone to release it, He got a second shot in 1971 when he signed for Spark Records and recorded two singles as Les Charles, "Nashville Rain" and "Reach Out A Hand" neither of which I've heard.
He scraped a living as a session singer and in 1974 became the voice of a studio project by songwriter Ben Findon called Scorched Earth. In March 1974 "they" put out a single "On The Run" with Les on the cover on the independent Young Blood International label. Later in the year Findon interested Philips in the project and they reissued it with some "bandmates" for Les on the cover and a song he'd co-written on the B-side. "On The Run" is a real hotch-potch , a lyric of urban survival framed by echoes of Hot Chocolate, T Rex and The Rubettes and a chorus that's melodically similar to Graham Bonnet's much later "Mind Games" but it's a good showcase for his impressive vocal range.
It seems to have been around 1975 that Les adopted the Billy Ocean name after the Ocean estate on which he'd lived. He was signed by GTO and released his first single as Billy , "Whose Little Girl Are You ?" in August 1975. Written by Billy and Findon who also produced it , it's a fairly blatant attempt to replicate the retro sound of the latter day Drifters who were then enjoying a second wind of success in the UK.
The second single was "Love Really Hurts Without You" . Again co-written with Findon it's one of the best Motown pastiches ever with a bass line that James Jamerson would be proud of, a fabulous vocal from Billy and a top drawer earworm melody in the chorus. There was enough modernity in Findon's production emphasising the strings that it worked as a disco number as well. It couldn't fail and didn't finishing only behind another newcomer, portly British disco queen Tina Charles.
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It's a great pop song, agreed, though I wonder if his subsequent delay in replicating it's success was down to punk or a lack of good material? That said, wiki suggests he only put one single during the initial 77-78 explosion of punk/new wave, so maybe he decided to sit the whole thing out till the storm passed...
ReplyDeleteWiki has missed his aptly-named single "Everything's Changed" which was released in March 1978 and did nothing.
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