Monday, 10 November 2014

252 Hello Bryan Ferry solo - A Hard Rain's A-Gonna Fall



Chart  entered : 29  September  1973

Chart  peak : 10

Number  of  hits : 22

John  Lennon  released  a  couple  of  singles  with  his  Plastic  Ono  Band  before  The  Beatles' break-up  was  confirmed  but  it  was  Bryan  who  really  pioneered  the  parallel  solo  career.

Obviously  we  know  where  he  came  from. Bryan's  idea  of  doing  a  covers  album  as  a  solo  effort  largely  stemmed  from  a  desire  to  let  off  steam  after  Roxy's "For  Your  Pleasure"  album  was  swiftly  followed  by  Brian  Eno's  departure. Bryan  told  Uncut  magazine  that  it  "cleared  the  air  of  all  that  angst". Whether  Roxy  fans  really  understood  that  when  the  singer  followed  ousting  his  limelight - stealing  rival  by  releasing  an  idiosyncratic  solo  album  is  debatable. It  certainly  confused  me  at  the  time. Actually,  apart  from  Andy  McKay  who  considered  quitting  himself   in  protest  at  Eno's  departure,  all  the  other  Roxy  members  play  on  it.

While  I've  a  lot  of  time  for  Bryan  and  Roxy  I  don't  think  this  is  a  great  record. A  lot  of  that's  down  to  the  song.  It  was  originally  written  by  Bob  Dylan  for  his  second  LP  The  Freewheeling  Bob  Dylan  in  1962  although  not  in  response  to  the  Cuban  Missile  Crisis  as  the  sleevenotes  misleadingly  suggest. It's  structure  was  influenced  by  an  English  folk  ballad  Lord  Randall  in  which  a  mother  repeatedly  questions  her  son  and  elicits  that  he  has  been  poisoned. Bob's  protagonist  reels  off   a  long  litany  of  dark  and  disturbing  images  in  response.  The  title  has  often  been  taken  to  refer  to  nuclear  fall-out  but  Dylan  has  denied  such  a  specific  interpretation. The  original  is  an  unrelenting  seven  minute  grind. Yes  Bob  we  know  that  life's  a  toilet  but  a  tune  always  makes  it  a  bit  more  bearable  don't  you  think ?

Bryan's  version  spares  us  two  of  the  five  verses  which  still  leaves enough  doom  and  gloom  to  make  it  indigestible. It's  dressed  up  with  Eddie  Jobson's  scraping  strings  and  female  backing  vocals  and  Paul  Thompson  gives  it  a  fast  tempo  but  there's  still  not  much  melody  to  make  it  more  palatable. Nor  do  I  think  Bryan's  campy  vocal  is  a  plus  point, I  do  like  the  illustrative sound  effects  on  the  second  verse  but  that's  about  it.    

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