( This single was just credited to The Miracles but Smokey was in the line-up )
Chart entered : 24 February 1966
Chart peak : 44
Number of hits : 12
I'm sure the man behind this blog will correct me, but I can't think there will be many (if any) other American artists who had to wait so long to crack the charts here after their initial breakthrough at home: the Miracles had released their first single in 1959, getting into the top end of the charts a year later with "Shop Around" - the first big hit for the fledging Motown label.
William "Smokey"
Robinson, the group's leader, had formed what became the Miracles ( initially
the Matadors) in Detroit with friends Pete Moore and Ronald White. Various
other members came and went siblings Bobby and Claudette Rogers completed the
line up. The inclusion of Claudette - who Robinson would later marry -
necessitated a name change, and the Miracles was chosen.
After a failed
audition with a small local label, the band were approached by one of the panel
- one Berry Gordy, a Korean War veteran and successful songwriter, with Jackie
Wilson's "Reet Petite" amongst his successes. Gordy was impressed by
Robinson's voice, and further taken when he discovered the youngster was a
promising songwriter. With his encouragement, Gordy borrowed money to form Tamla
Motown.
Amongst the Miracles'
early work are plenty of mighty singles, and it's a mystery that none were a
hit in the UK - especially since the likes of the Beatles were covering them:
"You Really Got a Hold On Me" featured on their second LP "With
the Beatles", while the original had been a top 10 smash in America.
Robinson frequently
wrote with the rest of the band, as well as guitarist Marv Taplin, essentially
the sixth member of the band. They were at their best when Smokey was in
heartache mode, such as "What's So Good About Goodbye?" (1961) and
the beyond-wonderful "Ooo Baby Baby", which sounds like the prelude
to the end of the world, such is the pain in Robinson's voice. One of their
earliest b-sides "You Can Depend On Me" may well by this writer's ultimate
3am slow-burner, for those romantic moments.
Amongst the quality,
there were some duff moments: "Mickey's Monkey" and "Come On Do
the Jerk" are more than unfortunately named. But Robinson may have been
stretched - as well as his work with the Miracles, he was writing and producing
for many other acts on the label, most notably the Temptations (as already
noted on their entry here), Mary Wells and Marvin Gaye.
By 1965, he'd also
taken a place as Executive President of Motown, and it is in this period he and
the Miracles make their entry, albeit with a small hit. Perhaps it meant more
to Americans who knew exactly what a "Go-Go" was - it reached #11 on
the Billboard Pop chart. All the same, it's a cheery number with Smokey
sounding in a good mood, helped by some driving drumming and the usual quality
work from the Funk Brothers. It's the kind of song that you imagine would open
a Miracles gig around the time, but I have to confess it wouldn't make my top
10 of their material.
D.C Harrison
Thanks DC
ReplyDeleteI think James Brown just pips Smokey for the waiting time but I think you'd written this piece before we said hello to him. Johnny Cash ( who doesn't qualify here ) beats him as well ( if hits in the country charts counted there's a lot who would ). Incidentally Rick Springfield ( remember him ? ) would also beat him by some distance were he not Australian.
Hearing the two singles more or less back to back I'm wondering if "Uptight" being around at the same time affected its reception here.
Is there a story behind Claudette's non-appearance on the sleeve ?
Apologies for the late reply! If I had to guess, Claudette not being on the sleeve may be because she retired from live work a few years prior, though she continued to provide vocal work in the studio.
ReplyDeleteRick Springfield I know for his first hit here, but I had no idea he'd been around for so long prior - or that he was Australian!