Friday, 30 May 2014
149 Hello Barbra Streisand - Second Hand Rose
Chart entered : 20 January 1966
Chart peak : 14
Number of hits : 18
On into 1966 and straightaway we start encountering artists who'd make their fullest impact in the subsequent decade. This was an outlier hit , a full five years before her next one, one of the longest gaps in chart history between a first and second hit.
Barbara was born in New York to second generation Jewish immigrants in 1942 and lived in straitened circumstances after her father's death when she was a baby. She was a singer from an early age and made her first demos at 13. She became a nightclub singer while still in her teens and also acted in theatre. She's also to be found in a porn film; she's always denied this but it's clearly her. From 1961 she started appearing on TV and after a string of appearances on a show called PM East / PM West she was signed by Columbia despite their President's dislike of her showboating style.
Babs negotiated her own contract particularly a clause that gave her control over what material she recorded. Her first single released in March 1962 was a version of Milton Ager's "Happy Days Are Here Again" written in 1929 and quickly appropriated by the Democrats for FDR's election campaign. Barbara deconstructs the song and comes up with an ironic torch ballad. From a low- key beginning , her vocal attack is almost overpowering by the song's end. It wasn't a hit ; in fact only 500 copies were pressed for the New York market. In November she released "My Colouring Book" which is equally full-on before her first LP the following March, the Grammy -winning "The Barbra Streisand Album" comprised of Broadway standards rather than contemporary songs. Her imaginatively titled "The Second Barbra Streisand Album" came out just six months later without any singles and reached number 2.
In January 1964 she released two contemporary songs from her soon-to-open Broadway musical Funny Girl . " I Am Woman" ( no relation to the Helen Reddy song ) was the nominal A side but was ignored in favour of "People" which rose to number 5 and became her signature song. The song's hit status cemented its place in the musical after the producers had evinced a dislike of it. It's noticeable how much more controlled her vocal is than on the previous singles.
Barbara also had time to release "The Third Album" before the show opened. Again there were no singles. Six months later she released her fourth "People" ( her first number one ) . The title track was the only song from the musical but the opening track "Absent Minded Me" was by the same writers and that was released as a single in August 1964. Once again people preferred the B-side "Funny Girl" which hadn't actually been used in the musical. It made number 44 despite being as dull as ditch water.
Her next single was in March 1965 "Why Did I Choose You" yet another torch ballad from a musical called The Yearling. It reached number 77. It also featured on her next album "My Name Is Barbra" released in May just after her Emmy-winning TV special of the same title. The final track "My Man" was originally recorded by the subject of "Funny Girl" , Fanny Brice in 1921 and was released as the next single in June. It wasn't in the musical but Barbra got to perform it in the film version. It got to number 79 but sounds tuneless and over-the-top to me.
In September came "He Touched Me" , another barnstorming ballad from a musical called Drat ! The Cat ! . It reached number 53 and became the opening track on her next album "My Name Is Barbra Two" released in October. The sixth track and next single is this one.
"Second Hand Rose" was another song that Fanny Brice had recorded and like "My Man" would be incorporated in the film version. Breaking away from the ballads, it's a Tin Pan Alley jazz tune about having to settle for hand-me-downs which Barbra performs in character with exaggerated New York-isms - "piana", "nive" (nerve) ," befaww" and so on. Why this particular tune should be the only one to tickle the fancy of the UK singles buyer from her first eight years of recording is difficult to fathom.
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